
Sign up to save your podcasts
Or
Send us a text
On Episode 121, I'm joined by Tony Kamel of Austin band Wood & Wire. The bluegrass Americana outfit just released their fourth studio full-length, the excellent No Matter Where It Goes from Here, a few weeks back. Working out of The Zone out in Dripping Springs, Texas with co-producer/engineer Pat Manske, the quartet has been able to stretch their legs. Mainly by having ample time to experiment with fresh and new recording setups and utilize the studio's vast array of vintage analog gear. With that in mind, Wood & Wire's latest sees the band pushing their boundaries creating a dynamic, robust, and vibrant sonic punch. Songs like "Pigs" and "Home and the Banjo" offer clever, introspective commentary on society while the epic closing rambler "Clamp's Chute" scratches that bluegrass instrumental jam itch.
During this conversation, we talk about the recording and writing of the album, how the pandemic has affected Kamel's creative process, the joy & frustration of that creative process, recording at Bruce Robison's The Next Waltz, and Wood & Wire's democratic approach to creating songs and albums.
This episode's presenting partner is Desert Door Texas Sotol and The Blue Light Live.
New Slang Patreon
New Slang Twitter
New Slang Instagram
New Slang Facebook
New Slang Merch Store
The Neon Eon Podcast
The Neon Eon Merch Store
Support the show
4.9
104104 ratings
Send us a text
On Episode 121, I'm joined by Tony Kamel of Austin band Wood & Wire. The bluegrass Americana outfit just released their fourth studio full-length, the excellent No Matter Where It Goes from Here, a few weeks back. Working out of The Zone out in Dripping Springs, Texas with co-producer/engineer Pat Manske, the quartet has been able to stretch their legs. Mainly by having ample time to experiment with fresh and new recording setups and utilize the studio's vast array of vintage analog gear. With that in mind, Wood & Wire's latest sees the band pushing their boundaries creating a dynamic, robust, and vibrant sonic punch. Songs like "Pigs" and "Home and the Banjo" offer clever, introspective commentary on society while the epic closing rambler "Clamp's Chute" scratches that bluegrass instrumental jam itch.
During this conversation, we talk about the recording and writing of the album, how the pandemic has affected Kamel's creative process, the joy & frustration of that creative process, recording at Bruce Robison's The Next Waltz, and Wood & Wire's democratic approach to creating songs and albums.
This episode's presenting partner is Desert Door Texas Sotol and The Blue Light Live.
New Slang Patreon
New Slang Twitter
New Slang Instagram
New Slang Facebook
New Slang Merch Store
The Neon Eon Podcast
The Neon Eon Merch Store
Support the show
226,206 Listeners
10,597 Listeners
37,901 Listeners
1,004 Listeners
27,429 Listeners
4,637 Listeners
26 Listeners