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Your Hosts: Brandon, Mary, Dan, and Howard What makes something a novel, rather than just a serialized collection of stuff that happens? How do we use structure to turn collections of stuff into something more cohesive? What tools do we use to outline, map, and/or plan our novel writing? Reference Note: "Scene and sequel" comes to us from Dwight Swain's Techniques of the Selling Writer, first published in 1965 (52 years ago.) Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered by Alex Jackson
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Your Hosts: Brandon, Mary, Dan, and Howard What makes something a novel, rather than just a serialized collection of stuff that happens? How do we use structure to turn collections of stuff into something more cohesive? What tools do we use to outline, map, and/or plan our novel writing? Reference Note: "Scene and sequel" comes to us from Dwight Swain's Techniques of the Selling Writer, first published in 1965 (52 years ago.) Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered by Alex Jackson
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