A lot of people ask published authors what their writing process is like, as if it is a key to being able to write. The only important process is the one that works for you. 

So, we’re going to let each of our hosts spend an episode explaining their own personal process. Our idea is that the best writing process is the one that works for you. Also, this is going to change over the course of your life and career.  

Today we’re learning about Mary Robinette’s writing process, which is built on having a totally random schedule.

Homework: What helps you want to do the things that aren’t writing? For instance, the other tasks and joys in your life? Because the tools that you use for those, also work for writing. Is it lists, or spreadsheets, or body-doubling? Now, see if you can use those same things to help you write more. 

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community! 

Writing Retreats

Newsletter

Patreon

Instagram

Threads

Bluesky

TikTok

YouTube

Facebook

Our Sponsors:
* Check out Aeropress and use my code WX for a great deal: https://aeropress.com
* Check out Gusto: https://gusto.com/WX


Support this podcast at — https://redcircle.com/writing-excuses2130/donations

Advertising Inquiries: https://redcircle.com/brands

Privacy & Opt-Out: https://redcircle.com/privacy

Today our hosts tell you why you don’t need to listen to all of our episodes—or even most of them. Each of our five hosts weighs in on how you can combine the topics, subtopics, and lenses that each episode features in order to create a structured path forward for your own writing journey. 

We start with a broad overview of this season’s structure. Why did we use the simple categories that most of us learned in elementary school— Who, What, Where, When, & Why—to organize our year’s 52 episodes? How did we decide on sub-topics for each category, and how should you decide which episodes to listen to more than once, and which ones to skip. Hint: it’s going to be different for everyone. 

Homework: Think about something that you do really well in your writing. Write down what it is (think of the lenses that we’ve covered in this season), and congratulate yourself on using the lens that you are using the best, the best way you can. 

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community! 

Writing Retreats

Newsletter

Patreon

Instagram

Threads

Bluesky

TikTok

YouTube

Facebook

Our Sponsors:
* Check out Aeropress and use my code WX for a great deal: https://aeropress.com
* Check out Gusto: https://gusto.com/WX


Support this podcast at — https://redcircle.com/writing-excuses2130/donations

Advertising Inquiries: https://redcircle.com/brands

Privacy & Opt-Out: https://redcircle.com/privacy

We had the absolute joy of sitting down with Charlie Jane Anders, the author of the book we’ve focused on for our last four episodes (All the Birds in the Sky). We talked with Anders about POV, tone, and how she played around with humor —partly by occasionally using an omniscient POV! Anders also explained how to incorporate humor and whimsy, and what it feels like to take risks as an author in today’s literary landscape. 

Thing of the Week:

Lessons in Magic and Disaster by Charlie Jane Anders

Homework from Charlie Jane Anders:

Take a scene you’ve already written and add five or six narrative asides that are providing information that the characters in the scene couldn’t possibly know. 

Ads:

If you’re interested in the Whodunit Murder Mystery cruise (which you heard a teaser for at the start of this episode)—you can visit whodunitcruises.com to learn more! The next cruise is February 6th, 2026 and leaves from Los Angeles! 

For 20% off Scrivener, you can the code “EXCUSES” for at www.literatureandlatte.com. 

Credits: Your hosts for this episode were Mary Robinette Kowal and DongWon Song. Our guest was Charlie Jane Anders. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community! 

Writing Retreats

Newsletter

Patreon

Instagram

Threads

Bluesky

TikTok

YouTube

Facebook

Our Sponsors:
* Check out Aeropress and use my code WX for a great deal: https://aeropress.com
* Check out Gusto: https://gusto.com/WX


Support this podcast at — https://redcircle.com/writing-excuses2130/donations

Advertising Inquiries: https://redcircle.com/brands

Privacy & Opt-Out: https://redcircle.com/privacy

This is our final episode before we have Charlie Jane Anders on the podcast to talk about her writing process next week! Today we’re talking about intention by analyzing thematics, the author’s intent, and the way Anders uses tone and tradition to express the core ideas of the book. We also dive into the friction created in the two opposing viewpoints of the world that Anders presents. On one side we have magic, community, and connection. And then you have rationality and science—that is, a more cerebral approach to the world. How does Anders explore these views through individual characters and also larger systems? And how can we learn how to do this in our own writing? 

Homework: Take some time away from your drafting, and write down your intentions. That is, what is the why of your project? Why is this the story you want to tell right now? Now, put your intention in a desk drawer somewhere, and don’t look at it. 

P.S. If you’re interested in the Whodunit Murder Mystery cruise (which you heard a teaser for at the start of this episode)—you can visit whodunitcruises.com to learn more! The next cruis is February 6th, 2026 and leaves from Los Angeles! 

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community! 

Writing Retreats

Newsletter

Patreon

Instagram

Threads

Bluesky

TikTok

YouTube

Facebook

Our Sponsors:
* Check out Aeropress and use my code WX for a great deal: https://aeropress.com
* Check out Gusto: https://gusto.com/WX


Support this podcast at — https://redcircle.com/writing-excuses2130/donations

Advertising Inquiries: https://redcircle.com/brands

Privacy & Opt-Out: https://redcircle.com/privacy

If you still want to read All the Birds in the Sky by Charlie Jane Anders, you can purchase it here!

We are looking today at the lens of when. But we’re not going to look at time periods—instead, we’re going to examine flashbacks and foreshadowing. “All the Birds in the Sky” takes place in four distinct times. For instance, one of the characters foreshadows a grim future for the children we’ve just met. This big jump forward colors the way that we see the kids, through both stakes and tension. And this begs the question, how do “future whens” affect your reading experience?  

Homework: Pick a scene in your current project and think about two moments: one moment in the past of this scene, and one that is in the future (both of these moments should still resonant with this scene in some way). Then, write two different versions of the scene: one in which the past weighs heavily on it, and one in which the foreshadowing of the future weighs heavily on it. Then, see what the difference is. 

P.S. Want to come write with us in September 2025 (we know that’s soon)?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. 

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community! 

Writing Retreats

Newsletter

Patreon

Instagram

Threads

Bluesky

TikTok

YouTube

Facebook

Our Sponsors:
* Check out Aeropress and use my code WX for a great deal: https://aeropress.com
* Check out Gusto: https://gusto.com/WX


Support this podcast at — https://redcircle.com/writing-excuses2130/donations

Advertising Inquiries: https://redcircle.com/brands

Privacy & Opt-Out: https://redcircle.com/privacy

If you still want to read All the Birds in the Sky by Charlie Jane Anders, you can purchase it here!

Today we’re talking about places and place-moments. We’re looking at how Anders uses context, details, and relationships to create a deep, familiar, and authentic reading experience for us, even if we’ve never been to the locations in the story. In this episode we’re  also analyzing how Anders creates lived-in locations by including non-essential sensory details that imply the rest of the world. 

Homework: List all the locations in your WIP (work in progress). Next to each one, describe its story functions: grounding, wondrous, plot-logical, and/or worldbuilding. 

P.S. Want to come write with us in September 2025 (we know that’s soon)?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. 

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community! 

Writing Retreats

Newsletter

Patreon

Instagram

Threads

Bluesky

TikTok

YouTube

Facebook

Our Sponsors:
* Check out Aeropress and use my code WX for a great deal: https://aeropress.com
* Check out Gusto: https://gusto.com/WX


Support this podcast at — https://redcircle.com/writing-excuses2130/donations

Advertising Inquiries: https://redcircle.com/brands

Privacy & Opt-Out: https://redcircle.com/privacy

Last season we took different works to represent different concepts. But this season, we’re looking at a single work— All the Birds in the Sky by Charlie Jane Anders. So, for the next five episodes, we’re going to look at how Anders’ novel is deploying all of the lenses we’ve talked about this season—who, where, why, and when. And for our fifth episode, we’ll have Anders on the podcast to talk about her novel! We recommend that you read this book before listening to these episodes, as they will include spoilers! So, without further ado, today we’ll dive into the lens of who. We’ll be analyzing tools such as history, community, motivation, stakes, fears, and reactions.

Homework: Who does your character envy and why? What action can they take to act on that desire?

You can purchase a copy of All the Birds in the Sky by Charlie Jane Anders here!

P.S. Want to come write with us in September 2025 (we know that’s soon)?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. 

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community! 

Writing Retreats

Newsletter

Patreon

Instagram

Threads

Bluesky

TikTok

YouTube

Facebook

Our Sponsors:
* Check out Aeropress and use my code WX for a great deal: https://aeropress.com
* Check out Gusto: https://gusto.com/WX


Support this podcast at — https://redcircle.com/writing-excuses2130/donations

Advertising Inquiries: https://redcircle.com/brands

Privacy & Opt-Out: https://redcircle.com/privacy

Throughout this season, we have been doing a series of episodes that feature different metaphors for writing. Today, we’re talking about raising children and what it can teach us about our own writing practice. It’s common knowledge that parents want their children to grow up to be happy and successful. But the real joy in raising children, Dan and Howard tell us, is watching them express their individuality, and meet these goals (of success and happiness) in very different ways. We talk about the importance of being open to shifts in intention, relationship, and understanding— regarding both people (and kids), but also your own writing.  

Homework: If you have a person in your life that you’re mentoring or are friends with, imagine that they are doing something you don’t like. Take a moment to consider: is this actually better than what I had planned or assumed? Try to give them—and your writing— some grace. 

P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here. 

Credits: Your hosts for this episode were Mary Robinette Kowal, Dongwon Song, Erin Roberts, Howard Tayler, and Dan Wells. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community! 

Writing Retreats

Newsletter

Patreon

Instagram

Threads

Bluesky

TikTok

YouTube

Facebook

Our Sponsors:
* Check out Aeropress and use my code WX for a great deal: https://aeropress.com
* Check out Gusto: https://gusto.com/WX


Support this podcast at — https://redcircle.com/writing-excuses2130/donations

Advertising Inquiries: https://redcircle.com/brands

Privacy & Opt-Out: https://redcircle.com/privacy

Téa Obreht is a short story writer and novelist. Her debut novel, The Tiger’s Wife, won the 2011 Orange Prize for Fiction, and was a 2011 National Book Award finalist and an international bestseller. 

In our conversation, we focused on revision and character consciousness. Téa talked to us about the difficulty of the idea-generation stage of writing, how to cultivate layered characters, and how she writes event-first. You can learn more about Téa Obreht here. 

Thing of the Week from Téa: Deadwood (TV Show)

Homework from Téa: Write an opening paragraph (roughly 3-6 lines). It could be something new, or an opener that you had already written. The paragraph should introduce some key pieces of information to your readers. Consider the information that's contained in your paragraph and then rewrite the whole thing two more times, ultimately conveying the same information, but in three different ways. How you do this is completely up to you! Maybe it’s in a different voice, maybe it’s from a different perspective, maybe it uses only dialogue. At the end of the exercise, consider the priorities of each different mode, and how each changed the way you gave information to your readers. 

P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here. 

Credits: Your hosts for this episode were Mary Robinette Kowal, Howard Tayler, and Erin Roberts. Our guest was Téa Obreht. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community! 

Writing Retreats

Newsletter

Patreon

Instagram

Threads

Bluesky

TikTok

YouTube

Facebook

Our Sponsors:
* Check out Aeropress and use my code WX for a great deal: https://aeropress.com
* Check out Gusto: https://gusto.com/WX


Support this podcast at — https://redcircle.com/writing-excuses2130/donations

Advertising Inquiries: https://redcircle.com/brands

Privacy & Opt-Out: https://redcircle.com/privacy

This year, we’ve been looking at writing through various different lenses. In two weeks, on August 24th, we’ll begin a 5-part deep dive into these lenses through a specific book: All the Birds in the Sky by Charlie Jane Anders. There will be many spoilers in these episodes, so please read the book if you haven’t already! 

Now, we’re talking about choosing what your lens is focused on. How do you choose what’s in your story—and what’s not? In this episode, we talk about how to make this choice, and how this informs all the other choices you’ll make. After we talk about how to decide where to draw the box around your story, we dive into the exterior framing of your story (AKA stories may exist in their own world, but they still have to be read in ours).

Homework: Take a story you’re working on and think about what happens if you shift the frame just a little. The easiest way to do this is to ask yourself, is there a scene I could take out that would change the way that the lens or the story is focused? What new scene would you add in to re-balance your story? Then, go and write that scene. And have fun with it! 

P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here. 

Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community! 

Writing Retreats

Newsletter

Patreon

Instagram

Threads

Bluesky

TikTok

YouTube

Facebook

Our Sponsors:
* Check out Aeropress and use my code WX for a great deal: https://aeropress.com
* Check out Gusto: https://gusto.com/WX


Support this podcast at — https://redcircle.com/writing-excuses2130/donations

Advertising Inquiries: https://redcircle.com/brands

Privacy & Opt-Out: https://redcircle.com/privacy