This week, Mary Robinette pulls back the curtain on some of fiction’s sneakiest power tools: tone and mood. Drawing from a recent craft class she taught for her Patreon, Mary Robinette breaks down how these elements shape a reader’s emotional experience—and why they deserve as much attention as plot or structure. DongWon, Erin, and Howard jump in to poke at the definitions, debate where tone and mood collide, and explore how contrast, character reactions, and even sentence rhythm can totally change a scene. Expect examples ranging from Wizard of Oz to Mike Flanagan as we dig into practical ways to use tone and mood to supercharge your storytelling.

Homework: 

Take a five-part mystery structure (crime → investigation → twist → breakthrough → conclusion) and write a story that uses that structure but is not obviously a mystery.

ANNOUNCEMENTS: 

Last Annual Cruise

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*Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here. 

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Credits: Your hosts for this episode were Erin Roberts, Mary Robinette Kowal, Howard Tayler, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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In this episode, DongWon digs into one of the business topics of our upcoming craft book: pitching. How do you talk about your work so other people immediately understand its category, vibe, and why it matters? They break pitching into two parts—content (what you say) and presentation (how you say it)—and share concrete tools like comp titles, short taglines, and simple back-cover formulas to sharpen your pitch. You’ll hear how iteration, audience-awareness, and practicing aloud (think karaoke for pitches) turn a clumsy elevator spiel into something that lands. Tune in for hands-on advice you can use next time an editor, agent, bookseller, or potential reader asks, “So, what’s it about?”

Homework:

Write three short, 2–3-sentence pitches for your book (or other WIP) that each take a different angle—one focused on worldbuilding, one on character, one on plot. Then read them aloud to someone and watch where they light up, glaze over, or lean in, so you can see which pitch actually works.

ANNOUNCEMENTS: 

Last Annual Cruise

The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.

*Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here. 

Call for Writing Breakthroughs

Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! 

Credits: Your hosts for this episode were Dan Wells, Erin Roberts, Mary Robinette Kowal, Howard Tayler, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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Dan shares his experience of rebuilding and reinventing his writing career from his section of our forthcoming book Now Go Write. Our hosts walk through practical ways that writers can diversify their work— from writing for RPGs and video games to writing in a new genre like middle grade or nonfiction — and why having multiple, truly separate revenue streams matters. They also dig into the psychological work of redefining yourself as a writer (not only a novelist), staying flexible when setbacks hit, and protecting time for the projects that keep your heart in the work. Listen for concrete strategies and encouragement to lean into new formats without losing sight of why you write.

Homework: Write something in a genre or format you’ve never tried before — a single TV episode scene, a short RPG adventure, a tie-in short story, a script, or a 500–1,000-word nonfiction piece. And see how it feels! 

ANNOUNCEMENTS: 

Call for Writing Breakthroughs

Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! 

Last Annual Cruise

The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.

*Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here. 

Credits: Your hosts for this episode were Dan Wells, Erin Roberts, Mary Robinette Kowal, Howard Tayler, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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In this episode, Erin returns with the final two “rules” from her section of our forthcoming book Now Go Write—and why it might be worth breaking them. With DongWon and Mary Robinette, Erin explores the classic advice to “show, don’t tell,” and the debate over whether magic needs a system. We unpack when these conventions can strengthen a story—and when they can get in your way.

Homework: Choose one of the four rules Erin covered across both “Break All The Rules” episodes (20.45 & 20.46) and rewrite a scene from your own work to deliberately break it. See what changes when you do.

ANNOUNCEMENTS: 

Call for Writing Breakthroughs

Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! 

Last Annual Cruise

The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.

Credits: Your hosts for this episode were Erin Roberts, Mary Robinette Kowal, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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In this episode, Erin shares a sneak peek from her section of our forthcoming book, Now Go Write. (To learn more about our book, sign up for our newsletter!) Erin explores four classic writing “rules,” when it’s worth breaking them, and what that can reveal about your own craft. Today, our hosts dive into two of these rules—examining how they can both help and hinder your storytelling. Tune in next week for part two, when we tackle the remaining two rules that Erin wants us to break.

Homework: Write down some of the rules you think you follow most rigidly in your own writing. Take one of these rules and begin to think about ways you can challenge this rule, or break it, or soften it in some way! 

ANNOUNCEMENTS: 

Call for Writing Breakthroughs

Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! 

Last Annual Cruise

The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.

Credits: Your hosts for this episode were Erin Roberts, Mary Robinette Kowal, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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We have an exciting announcement! Writing Excuses is publishing a book, Now Go Write, which will feature writing from all of our hosts! Sign up for our newsletter to learn when our book is coming out! 

So, for our next few episodes, we’ll have each host share one of the topics that they have written a chapter about for the book. Today, we’re starting with Mary Robinette, who will be covering the question of how to handle relationships. We explore how relationships can act like characters themselves—shifting, growing, or breaking under story pressure. Mary Robinette also introduces the “Kowal Relationship Axes” as a way to build believable dynamics and conflict between characters. We hope you come away with practical tools to write relationships that feel real, messy, and full of momentum.

Homework: First, sign up for our newsletter to learn when our book is coming out! 

Then: who does your character love because of their flaws and why? Write an exploration scene where the character is exhibiting those flaws and the other character is watching that fondly. Then, write a different scene where one character is mad at the other and the flaws are pissing them off. 

ANNOUNCEMENTS: 

Call for Writing Breakthroughs

Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! 

Last Annual Cruise

The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community! 

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Erin and Howard sat down with paleontologist Dr. Tara Lepore for a fascinating dive into the science—and storytelling potential—of deep time. Dr. Lepore explains why paleontology is about far more than dinosaurs and how mammal teeth can reveal “birth certificates” millions of years old. We hope you come away with new ways to think about science as story—and how to weave the vastness of deep time into your own worlds.

Thing of the Week: University of California Museum of Paleontology 

Homework: Find 3 ways that deep time could be interwoven into your current or upcoming writing project. 

Call for Writing Breakthroughs

Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! 

Last Annual Cruise

The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. Our guest was Dr. Tara Lepore. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community! 

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Erin describes her own writing process as, “a bunch of random practices thrown into a bag and shaken up." Nevertheless, for today’s episode, Erin managed to organize her processes into four categories: getting work, getting in, getting done, getting right. Listen as Erin gives us tips and tricks for freelancing, deadlines, and saying no.

Homework: Write down all the tips and tricks you’ve learned about your own personal writing process on a single page. 

Show Notes: https://www.pacemaker.press/

P.S. The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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We’re continuing our episodes focusing on our hosts’ personal writing practices. Like Mary Robinette’s. DongWon’s involves a bit of… chaos. 

DongWon’s day job as a literary agent is demanding and unpredictable, so they often have to fit in their writing process into their free time. They are also often collaborating with other authors and friends (often writing for games)—so how does all of this inform their unique writing process? Well, first DongWon thinks a lot about the time and space that surrounds their writing– how can they make a simple, low-stimulation environment so that they can better focus? And then when they’re ready to begin, they don’t start with an outline. Instead… well, we’ll let you listen and hear them explain it to you.

Homework: Go sit somewhere. Don’t bring your phone or your headphones. Sit there until you feel the itch of irritation of doing nothing, and then push through it a little bit longer. Cultivate your boredom. Then, sit down and write. 

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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A lot of people ask published authors what their writing process is like, as if it is a key to being able to write. The only important process is the one that works for you. 

So, we’re going to let each of our hosts spend an episode explaining their own personal process. Our idea is that the best writing process is the one that works for you. Also, this is going to change over the course of your life and career.  

Today we’re learning about Mary Robinette’s writing process, which is built on having a totally random schedule.

Homework: What helps you want to do the things that aren’t writing? For instance, the other tasks and joys in your life? Because the tools that you use for those, also work for writing. Is it lists, or spreadsheets, or body-doubling? Now, see if you can use those same things to help you write more. 

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community! 

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