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Time isn't just a backdrop—it’s a powerful tool in storytelling. In this episode, we explore how time shapes narratives, beyond just plot structure. From magnifying moments in a fight scene to revealing a character’s morals through temporal shifts, we unpack how timing, pacing, and the passage of time can deepen emotional impact, build tension, and elevate a scene's resonance.
We discuss practical techniques like character memory, flashbacks, and sensory shifts, while also considering how time reveals inner worlds—through fear, anticipation, or even a late-night zoomie session with a talkative cat. Whether you're writing action scenes or quiet reflections, this episode offers practical insights for using time as a dynamic storytelling tool.
Homework: Change the time at which a scene takes place. Try to move something from day to night, or spring to fall. What do you notice?
P.S. Our 2025 writing retreat (on a cruise! In mexico!) is over 50% sold out! Learn more and sign up here.
Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.
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By Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler4.6
12771,277 ratings
Time isn't just a backdrop—it’s a powerful tool in storytelling. In this episode, we explore how time shapes narratives, beyond just plot structure. From magnifying moments in a fight scene to revealing a character’s morals through temporal shifts, we unpack how timing, pacing, and the passage of time can deepen emotional impact, build tension, and elevate a scene's resonance.
We discuss practical techniques like character memory, flashbacks, and sensory shifts, while also considering how time reveals inner worlds—through fear, anticipation, or even a late-night zoomie session with a talkative cat. Whether you're writing action scenes or quiet reflections, this episode offers practical insights for using time as a dynamic storytelling tool.
Homework: Change the time at which a scene takes place. Try to move something from day to night, or spring to fall. What do you notice?
P.S. Our 2025 writing retreat (on a cruise! In mexico!) is over 50% sold out! Learn more and sign up here.
Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.
Join Our Writing Community!
Writing Retreats
Newsletter
Patreon
Threads
Bluesky
TikTok
YouTube

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