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Cymene and Dominic get their mojo back as they dip their toes into the blue wave. Then (13:12) we connect with Anne Galloway about her life and work as a scholar and a farmer. We start with Anne’s thoughts on how raising sheep as a farmer has made her part of a flock and how the complexity of those relations have changed how she thinks about the Anthropocene, in particular about death. Anne answers the question, “Can you kill something you love?” and this gets us to talking about ethics, responsibility and kinship in our relations with “livestock animals.” Anne explains why she finds it problematic that academics and activists often equate all animal husbandry with industrial farming practices. We talk about catching flak from farmers as well as academics, about companionate animals named and unnamed, the key characteristics of sheepishness, and turn from there to Anne’s interests in ethnographic and speculative design and her plan to do a second doctorate in creative writing. We close by wondering whether Anne has any chance of getting her sheep into Peter Jackson’s next Tolkien adaptation.
4.9
5454 ratings
Cymene and Dominic get their mojo back as they dip their toes into the blue wave. Then (13:12) we connect with Anne Galloway about her life and work as a scholar and a farmer. We start with Anne’s thoughts on how raising sheep as a farmer has made her part of a flock and how the complexity of those relations have changed how she thinks about the Anthropocene, in particular about death. Anne answers the question, “Can you kill something you love?” and this gets us to talking about ethics, responsibility and kinship in our relations with “livestock animals.” Anne explains why she finds it problematic that academics and activists often equate all animal husbandry with industrial farming practices. We talk about catching flak from farmers as well as academics, about companionate animals named and unnamed, the key characteristics of sheepishness, and turn from there to Anne’s interests in ethnographic and speculative design and her plan to do a second doctorate in creative writing. We close by wondering whether Anne has any chance of getting her sheep into Peter Jackson’s next Tolkien adaptation.
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