Dimitri and Khalid are joined by Public Swiftie intellectual Christina (@stidrill) to explore and critically uphold the parasocial cult of personality, esoteric symbolism, and Eagles-tier Song Power of Ms. Taylor Alison Swift, including:

The Eras Tour parking lot experience, recent comparisons with the Grateful Dead, mass amnesia/dissociative episodes at her concerts, Taylor-as-Sufi mystic/spiritual leader, getting Swiftiepilled when it wasn’t “cool” in the late 2000s, Taylor becoming the Bob Dylan of the millennials, the low-key emo character of “Fearless” and “Speak Now”, Taylor’s high finance parents and her carefully managed musical upbringing in Nashville, the Gaylor theories, Hetlers, Karlie Kloss, the Kushners, and David Geffen, similarities to the Ayatollah Khomeini, the deep cultural ramifications of Kanye interrupting Taylor at the 2009 VMAs, the Olivia Rodrigo interpolation controversy, Ryan Adams’ pre-cancellation “1989” cover record, leaning into snake symbolism on “Reputation”, Joe Alwyn’s ambiguous writing credits on “Folklore” and “Evermore”…

The sordid saga of Scooter Braun, the Carlyle Group, and the Soros/Disney families stealing the masters of Taylor’s first six albums, Taylor’s ingenious decision to outfox the Silk Toppers by rerecording all her early records, the sus career moves of (son of a 1956 Hungarian emigré dentist) Scott “Scooter” Braun, gr**ming Justin Bieber for superstardom, noticing the social and business interlocks between Matty Healy, Peter Thiel, and certain prominent dirtbag podcasters who despise Taylor and hiss like snakes from the shadows as they root for her downfall, Matty Healy the Interscope COINTELPRO chaos agent, the unbearable midness of The 1975, Scott Swift’s double-dealing with Scooter over Taylor’s masters, Scott Borchetta’s betrayal, big Saul Zaentz vibes, Taylor getting ermed by NYT journalists for making “…….a choice” to call out Soros by name, getting caught in the middle of the Hungarian Yankee-Cowboy Soros v. Orban shadow war, more political/apolitical parallels between Taylor and Khomeini, the fuzzy folklore of Taylor’s MIB computer repairman guitar teacher in Nashville, and the carefully premeditated tactical media aspects of Taylor’s rise to superstardom.

Part 1 of 2.

Follow Christina on Twitter: @stidrill