Duncan Sheik’s career has not followed a straight line. After studying semiotics at Brown University, he emerged in the mid 1990s as a pop singer songwriter with his hit “Barely Breathing”, and quickly revealed himself to bend toward more literate adult oriented rock. He continued to make records and land himself on the charts but also began exploring composition for film and theater. 

The success of 2006's Spring Awakening, a hit rock musical that featured Sheik’s score (and which won the Tony for Best Original Score as well as a Grammy for Best Musical Show Album) planted him firmly in the world of Broadway. He has continued to write for theater, often collaborating with poet and playwright Steven Sater. 

Over the years he has explored electronic music, folk music, and enjoyed covering songs by his favorite writers, many of whom were influential to him as a boy. 

His new record Live at the Cafe Carlyle, a small format live concert was recorded in the pre pandemic playground of the upper east side, back when people gathered together unmasked and unconcerned to experience something collectively.

The record in many ways is an encapsulation of his career - it includes some of the most famous songs from his artist and composer lives, as well as some of his favorite songs by other songwriters. 

We talked recently about his career, his songwriting, technology in music, how becoming a father has influenced his work, his life in Covid and what it means to release music in these strange and trying times, and what exactly is semiotics anyway.