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Ali Fisher, editor at Tor Books and member of the podcast Rude Tales of Magic, joins us for a three-part series on editing.
First up: length! How do you edit your work—whether it's a book or a short story or a novella? Maybe you wrote a draft during NaNoWriMo, maybe you didn't-- either way, we want to help you figure out how to make your writing the perfect length.
Homework: Find two scenes next to each other from your writing. Remove the scene break and write bridging text between the two of them instead. Then, find a different scene that has that bridging text, and cut it into two different scenes so that you are removing it and creating new signposts. See what this does to length and your perception of the pacing.
Thing of the Week (from Ali Fisher): Infinity Alchemist by Kacen Callender
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https://writingexcuses.com
Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and guest Ali Fisher. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.
Join Our Writing Community!
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4.6
12681,268 ratings
Ali Fisher, editor at Tor Books and member of the podcast Rude Tales of Magic, joins us for a three-part series on editing.
First up: length! How do you edit your work—whether it's a book or a short story or a novella? Maybe you wrote a draft during NaNoWriMo, maybe you didn't-- either way, we want to help you figure out how to make your writing the perfect length.
Homework: Find two scenes next to each other from your writing. Remove the scene break and write bridging text between the two of them instead. Then, find a different scene that has that bridging text, and cut it into two different scenes so that you are removing it and creating new signposts. See what this does to length and your perception of the pacing.
Thing of the Week (from Ali Fisher): Infinity Alchemist by Kacen Callender
Sign up for our newsletter:
https://writingexcuses.com
Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and guest Ali Fisher. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.
Join Our Writing Community!
Patreon
YouTube
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