We’re back with part two of our amazing interview with production designer Jim Bissell, who worked his magic on both “Mission: Impossible - Ghost Protocol” and “Rogue Nation.” This time we get into the finale of “Rogue Nation” (he says that it was always set in London, take that ship graveyard!), the record store (and how it switched from “Ghost Protocol” to “Rogue Nation”), and he shares stories from the production of “E.T.” and “The Rocketeer.” Plus, a little bit more about Brad Bird’s abandoned (for now!) “1906.”