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This week on And the Runner-Up Is, Kevin welcomes Dashiell M. Silva to discuss the 1938 Oscar race for Best Actress, where Bette Davis won for her performance in "Jezebel," beating Fay Bainter in "White Banners," Wendy Hiller in "Pygmalion," Norma Shearer in "Marie Antoinette," and Margaret Sullavan in "Three Comrades." We discuss all of these nominated performances and determine who we think was the runner-up to Davis.
0:00 - 9:26 - Introduction
9:27 - 25:41 - Fay Bainter
25:42 - 47:48 - Wendy Hiller
51:14 - 1:10:25 - Norma Shearer
1:10:26 - 1:25:15 - Margaret Sullavan
1:25:20 - 1:43:11 - Bette Davis
1:43:12 - 2:08:28 - Why Bette Davis won / Twitter questions
2:08:29 - 2:15:00 - Who was the runner-up?
Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis!
Follow Kevin Jacobsen on Twitter
Follow Dashiell M. Silva on Twitter
Follow And the Runner-Up Is on Twitter and Instagram
Theme/End Music: "Diamonds" by Iouri Sazonov
Additional Music: "Storming Cinema Ident" by Edward Blakeley
Artwork: Brian O'Meara
4.6
165165 ratings
This week on And the Runner-Up Is, Kevin welcomes Dashiell M. Silva to discuss the 1938 Oscar race for Best Actress, where Bette Davis won for her performance in "Jezebel," beating Fay Bainter in "White Banners," Wendy Hiller in "Pygmalion," Norma Shearer in "Marie Antoinette," and Margaret Sullavan in "Three Comrades." We discuss all of these nominated performances and determine who we think was the runner-up to Davis.
0:00 - 9:26 - Introduction
9:27 - 25:41 - Fay Bainter
25:42 - 47:48 - Wendy Hiller
51:14 - 1:10:25 - Norma Shearer
1:10:26 - 1:25:15 - Margaret Sullavan
1:25:20 - 1:43:11 - Bette Davis
1:43:12 - 2:08:28 - Why Bette Davis won / Twitter questions
2:08:29 - 2:15:00 - Who was the runner-up?
Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis!
Follow Kevin Jacobsen on Twitter
Follow Dashiell M. Silva on Twitter
Follow And the Runner-Up Is on Twitter and Instagram
Theme/End Music: "Diamonds" by Iouri Sazonov
Additional Music: "Storming Cinema Ident" by Edward Blakeley
Artwork: Brian O'Meara
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