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This episode, we’re talking about how important tension is in creating a world where your readers feel fully immersed. We talk about the importance of using tropes and techniques while also using variation in order to make your story less predictable. We dive into the difference between tension and conflict, and talk about how you can use the former to help the ladder. Tension can be found in movement, but also in inaction. We touch on tension's effect on try-fail cycles, inverted pyramids, and worldbuilding.
Thing of the Week: The Night Guest by Hildur Knutsdottir (a novella translated by Mary Robinette Kowal)
Homework: Take a look at your outline and move one of the major conflict points to a different act forward, and then try and move it to a later act. Consider how this changes the pacing and tension.
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https://writingexcuses.com
Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.
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4.6
12681,268 ratings
This episode, we’re talking about how important tension is in creating a world where your readers feel fully immersed. We talk about the importance of using tropes and techniques while also using variation in order to make your story less predictable. We dive into the difference between tension and conflict, and talk about how you can use the former to help the ladder. Tension can be found in movement, but also in inaction. We touch on tension's effect on try-fail cycles, inverted pyramids, and worldbuilding.
Thing of the Week: The Night Guest by Hildur Knutsdottir (a novella translated by Mary Robinette Kowal)
Homework: Take a look at your outline and move one of the major conflict points to a different act forward, and then try and move it to a later act. Consider how this changes the pacing and tension.
Sign up for our newsletter:
https://writingexcuses.com
Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.
Join Our Writing Community!
Patreon
YouTube
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