Picture the scene: You’re a young screenwriter getting your first taste of success — but it’s with a movie that didn’t quite come out the way you wanted and the victory feels hollow. Suddenly, you find yourself being typecast as a writer of silly comedies while the industry boxes you out and the opportunities and (self)respect begin to slip away. What do you do? If you’re Larry Karaszewski (and long time screenwriting partner Scott Alexander) you swerve hard out of that lane and typecast YOURSELF as auteurs of your own re-invented genre: The Anti-Biopic! Out of this savvy strategy the enduring classic ED WOOD is born and you are swept up in Hollywood’s warm and loving embrace. Cut to a montage of THE PEOPLE VS. LARRY FLYNT, MAN ON THE MOON, BIG EYES and a lifetime of accolades, happiness and total fulfillment. THE END! On this episode we talk to Larry about going to inappropriate movies at the drive-in with his dad, a college experience that actually paid off, writing PROBLEM CHILD and then watching Robert DeNiro watch it, having a roommate that wrote HEATHERS, resurrecting Frank Perry, producing AUTO FOCUS, David Schwimmer as Robert Kardashian, orphan films, Milos Forman, and we pick the best(!!!) New York movies.