Local H is on tour with Everclear and Sponge - so Scott called in from a hotel in Medford, Oregon to file a Road Report about being on tour with Everclear and Sponge.

This year marks the 30th anniversary of Local H's major label debut album, Ham Fisted. To celebrate this milestone, the band has recorded and released a brand new re-imagining of the album, which they are calling reFISTED. On this special edition of song imploder Ben Reiser sat down with frontman Scott Lucas and G&P records head honcho Gabe Rodriguez for a deep dive into their thoughts and feelings about the original Ham Fisted as well as a thorough exploration of every track on the new release.

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This week we welcome our ol’ buddy Art Alexakis to the podcast to talk about this little tour he’s doing with Scott in about two weeks from now. No big deal. We also talk about Art’s band Everclear, their major label breakthrough SPARKLE AND FADE (which turned 30 this year and is the reason for this little 2 month tour that Everclear’s doing with Local H and Sponge, by the way), their indie label breakthrough WORLD OF NOISE, California projects, Portland haters, ditch digging, sobriety, girl dads, smoking cigars with Butch Vig, Geddy Lee, Paul Stanley, and we pick the best(?!?) California songs (don’t worry, we didn’t let Art pick “Santa Monica”). PLUS: Scottie Rose tries to put the kibosh on all of it.

The New Orleans rock band Zebra has always existed out of time. Despite having one of the fastest selling debuts in Atlantic Records’ history, Zebra never really fit in with the glammed up ‘80s metal bands they were being lumped in with on the pages and airwaves of Hit Parader and MTV. But that apparent inability to fit in may be exactly what endeared them to a herd (or a zeal) of avid fans who would wear out their bare bones cassette of ZEBRA and eventually go to Kmart and stealthily rip open a vinyl copy of the record to steal the lyric sheet so he could figure out what Randy Jackson was singing. Okay. We may be talking about Scott here. ANYWAY — this week we’re thrilled to welcome Mr. Jackson to the podcast to talk about the 50th anniversary of Zebra, recording with Jack Douglas, being a rock band in New Orleans, being a rock band in Long Island, befriending Twisted Sister, touring with Cheap Trick, seeing The Beatles live, being forced to talk about Bon Jovi, and the lyrical prowess of the Moody Blues. And more black beans.

The fallout from the Great Chips & Salsa Incident continues as we invite Dino Proserpio from the I EAT MOVIES podcast to help us stage a cultural intervention for Gabe. As most of you are aware, interventions are never pretty — so we’ve lightened things up with some petty squabbling over East Coast vs. Third Coast, Sean Connery impersonations, Jennifer vs. Bailey, Greg Giuffria, potatoes vs. tomatoes, and we pick the best(?!!) uses of food in pop culture. You’ll understand when you hear it.

Picture the scene: You’re a young screenwriter getting your first taste of success — but it’s with a movie that didn’t quite come out the way you wanted and the victory feels hollow. Suddenly, you find yourself being typecast as a writer of silly comedies while the industry boxes you out and the opportunities and (self)respect begin to slip away. What do you do? If you’re Larry Karaszewski (and long time screenwriting partner Scott Alexander) you swerve hard out of that lane and typecast YOURSELF as auteurs of your own re-invented genre: The Anti-Biopic! Out of this savvy strategy the enduring classic ED WOOD is born and you are swept up in Hollywood’s warm and loving embrace. Cut to a montage of THE PEOPLE VS. LARRY FLYNT, MAN ON THE MOON, BIG EYES and a lifetime of accolades, happiness and total fulfillment. THE END! On this episode we talk to Larry about going to inappropriate movies at the drive-in with his dad, a college experience that actually paid off, writing PROBLEM CHILD and then watching Robert DeNiro watch it, having a roommate that wrote HEATHERS, resurrecting Frank Perry, producing AUTO FOCUS, David Schwimmer as Robert Kardashian, orphan films, Milos Forman, and we pick the best(!!!) New York movies.

R.I.P. Ozzy Osbourne.

More than any other band from the ‘90s, Failure was a perfect fusion of technology and art. If you put on a Failure record — you knew it was gonna sound great. So it stands to reason that Failure’s new documentary — EVERY TIME YOU LOSE YOUR MIND (now on HULU) — is gonna LOOK great. Perfectly shot. Perfectly edited. But what really elevates it above the current glut of streaming documentaries is an innate understanding of the simple art of storytelling. It sucks you in and never allows itself to become a cheap advertisement for the band. It helps that singer-guitarist-director Ken Andrews has a background in film and video production, but it also speaks to Failure’s entire career of meticulous high-production values and DIY quality control. It’s an ethic that persists to this day with a remarkable run of post-hiatus classics that began in 2014 with their comeback album THE HEART IS A MONSTER — an album that kicked off a successful and well deserved second act for one of America’s finest rock bands. One that actually merits a documentary about itself. On this episode we talk to Ken about ALL that stuff. We even touch on some stuff that ISN’T in the doc.

ALSO: We pick our favorite documentaries.

This week it’s the conclusion of our special Album Imploder episode commemorating the 30th anniversary reissue of Fig Dish’s THAT’S WHAT LOVE SONGS OFTEN DO. Rick, Mike and Blake are still on hand as we take a deep dive into side two (or at least what we assume is side two) of the band’s beloved major label debut. FINISH IT!!! Elsewhere: Scott’s mad at Sharon Osbourne, Ben loves Yungblud, and Gabe’s afraid of pompadours.

It's 4th of July - so that means it's time for hot dogs, fireworks, and Fig Dish!

On the eve of the 30th Anniversary re-issue of That's What Love Songs Often Do (first time on vinyl), 3/4s of Fig Dish (Blake Smith, Rick Ness, and Mike Willison) stop by to shoot the shit about their upcoming live gigs opening for Letters to Cleo, and stick around for a special edition of Album Imploder!