When director Joe Kosinski and producer Jerry Bruckheimer set out to make “F1,” their goal was to create the most authentic Formula One film ever made. Recorded in person at Skywalker Sound, this episode features the sound team behind the film, who share how they brought that vision to life. They discuss the extraordinary lengths they went to in order to craft a visceral, true-to-life experience for racing fans and everyday viewers alike — while also highlighting the invaluable support they received from the production and the film’s director, Joe Kosinski.

“I would say Joe is the grand master at giving us these opportunities [to succeed]. God bless him, because he gets it. He knows you can’t just say, ‘I want this to be an authentic Formula One movie — figure it out.’ He was like, ‘We’re going to start early. We’re going to give you whatever resources you need. And everything is going to be 100% perfect.’ And he’s not like, ‘This has to be perfect.’ It’s just, ‘We’re going to do this together. What do you need? I’m going to help you. Let’s get going.’”

—Al Nelson, Supervising Sound Editor, “F1”

Joining today’s conversation:

- Al Nelson – Supervising sound editor/sound designer

- Juan Peralta – Re-recording mixer

- Gary Rizzo – Re-recording mixer

- Gwendolyn Yates Whittle – Supervising sound editor

Be sure to check out “F1,” now in theaters and Dolby Cinemas®, in Dolby Vision® and Dolby Atmos®.

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You can also check out the video for this episode on YouTube.

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