In this candid and moving conversation, host Javier Proenza sits down with Los Angeles-based artist Dena Novak, whose sculptural paintings and ceramics challenge the rigid codes of minimalism through what she calls “aggressive feminism.” Drawing from a rich personal archive of experience—one shaped by Orthodox Judaism, motherhood, neurodivergence, and trauma—Novak’s work reimagines historically male-dominated art historical tropes with unapologetic sensuality and material intensity.

A recent recipient of the Simon Gad Foundation Award and an MFA candidate at Otis College of Art and Design, Novak shares how a life-altering diagnosis of autism at age 50 reshaped her understanding of herself, her past, and her artistic practice. Her tactile impasto paintings, often described as “candy-colored” and “irresistibly edible,” subvert the pristine aesthetic of artists like John McCracken, replacing “fetish finish” with riotous layers of piped oil paint. As she explains, “The first response people say when they see my work is, ‘I want to touch it. I want to smell it. I want to eat it.’”

The conversation traces Novak’s evolution from a punk activist in Chicago to a ceramicist “boxing with Pollock,” and unpacks her years spent in Orthodox communities in Israel and Los Angeles, where gendered restrictions collided with a creative urgency that could not be contained. Today, her practice is a full-throated reclamation of space—for herself, for disabled artists, and for queer, neurodivergent joy.

Upcoming exhibitions include her MFA thesis show at Otis College (September 2025) and a group exhibition will support the Simon Gad Foundation’s work with disabled artists.

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