“There's nothing wrong with Ellen. It's just that she loves too much.” We watched “Leave Her to Heaven” with our friend Emily Ollero Jones from the podcast “Female Driven,” and we’re still trying to figure out a way to get Gene Tierney that Oscar. This Technicolor psychological thriller really has everything: melodrama, film noir, allusions to Greek mythology, and most importantly… that face! Not a soul can clock. Gene Tierney is really serving it up throughout this movie, and we just have one thing to say - congratulations on that face. Gene’s femme fatale portrayal of Ellen sets the standard for Black Widows for years to come. Let’s face it - Ellen Berent Harland threw herself down the stairs so Amy Dunne could, well… “Gone Girl” herself. So many “women’s pictures” owe a great debt to “Leave Her to Heaven.” Would we have Divine’s impeccably decorated Baltimore home in “Polyester” without it?

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