In 2013, after having posted a series of videos recorded in his family home in North London of himself singing a cappella arrangements of classic - yet sometimes obscure - songs on YouTube, a critical mass began to form around Jacob Collier. 

His videos of Stevie Wonder’s “Isn’t She Lovely” and “Don’t You Worry Bout A Thing” were passed around by musicians and music enthusiasts and by 2014 he was being managed by Quincy Jones and traveling around the world.

He was one of the first career artists to emerge on YouTube. Jacob’s journey since then has been nothing short of extraordinary. Today, at 30 years old, with six Grammys, millions of fans, and collaborations ranging from Herbie Hancock to Chris Martin, his influence spans generations. His Djesse project—four albums in six years, exploring 50 songs and countless collaborations —represents not just his creativity but his ability to bring others into his world. From arenas to intimate collaborations, Jacob Collier is now a fact of musical life.

Yet, he remains tied to his roots: the small room in his mother’s house where it all began. His first album, In My Room, was both a tribute to that space and a manifesto for his artistic philosophy.

Before his star had really begun to rise, I met with Collier in late 2014. He invited me to his family home in North London, where his mother greeted me with tea and cookies while he returned from university. When we finally sat down in his music room to talk, his brilliance was immediately apparent. He spoke about sound with sensitivity and clarity, blending perfect pitch, synesthesia, and a boundless curiosity. He was still a kid, but one with an expansive vision.

That conversation remains a revelation. It captured a young artist at the cusp of greatness. It is also the first interview of its kind that exists with the extraordinary artist .

Ten years after that first interview, I’m reminded why I started this podcast: to capture history as it’s being made. Jacob Collier’s story is one of boundless curiosity and connection—a message in a bottle that changed the tide.

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