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Today on Art of the Cut, a little change of pace. August was the 30th anniversary of the movie, The Fugitive, directed by Andrew Davis and edited by Don Brochu, David Finfer, Dean Goodhill, Dov Hoenig, Richard Nord and Dennis Virkler. Why so many editors? You’ll soon find out as I talk to director Andrew Davis about the evolution of the film through editing, his thoughts on being one of the first directors to try to cut a film using Avid Media Composer, and what he looks for when choosing a new editor for a project.
Mr. Davis was nominated for a Golden Globe and a DGA Award for Best Direction for The Fugitive. His other films include Under Siege, Chain Reaction, A Perfect Murder, Collateral Damage, Holes, and The Guardian.
 By Steve Hullfish, ACE
By Steve Hullfish, ACE4.9
3333 ratings
Today on Art of the Cut, a little change of pace. August was the 30th anniversary of the movie, The Fugitive, directed by Andrew Davis and edited by Don Brochu, David Finfer, Dean Goodhill, Dov Hoenig, Richard Nord and Dennis Virkler. Why so many editors? You’ll soon find out as I talk to director Andrew Davis about the evolution of the film through editing, his thoughts on being one of the first directors to try to cut a film using Avid Media Composer, and what he looks for when choosing a new editor for a project.
Mr. Davis was nominated for a Golden Globe and a DGA Award for Best Direction for The Fugitive. His other films include Under Siege, Chain Reaction, A Perfect Murder, Collateral Damage, Holes, and The Guardian.

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