Is Joel Coen’s new THE TRAGEDY OF MACBETH the most by-the-letter, scrupulous adaptation of Shakespeare’s play ever put to screen, or a series of subtle but surprising decisions applied to an extremely familiar text? We’re a little divided on that question this week, as we’re joined once again by David Chen, host of the Culturally Relevant podcast (among many other projects), to parse what distinguishes this approach to The Scottish Play, how it plays within the Coen filmography, and whether every other Coen film is also, in fact, Macbeth. Then we bring Akira Kurosawa’s THRONE OF BLOOD back into the conversation to compare the two films’ chicken-or-the-egg prophecies, their minimalist/maximalist styles, and the shared motivation to adapt this story in the first place.

Please share your comments, thoughts, and questions about THRONE OF BLOOD, THE TRAGEDY OF MACBETH, or anything else in the world of film, by sending an email to [email protected]. We may respond to it on our Patreon (patreon.com/NextPictureShow), where you can also find bonus episodes, a weekly newsletter, recommendations, and more. 

Works Cited:

• “In the Coen brothers’ punishing world, morals are everything,” by Tasha Robinson (thedissolve.com)

• “The Tragedy of Macbeth Is Pretty Much Just One Phenomenal Denzel Washington Performance,” by Alison Willmore (vulture.com)

• “Dialogue: Macbeth and the Movies,” by Scott Tobias and Keith Phipps (thereveal.substack.com)

Next pairing: NOTTING HILL and MARRY ME

Outro Music: “Fair Is Foul & Foul Is Fair” by Babes In Toyland

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