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At his monthly series The Tell, writer and storyteller Michael Leviton brings together performers and audiences for an evening where nothing is scripted and no lineup is announced.
At The Tell, audiences arrive without knowing who will take the stage. Each night features four storytellers and two musical performances, unfolding over two sets. The result is a dynamic and unscripted experience where stories can be funny, moving, surprising—or all three at once.
Leviton created The Tell as an alternative to more formal storytelling formats. Rather than polished, rehearsed narratives, he favors stories that are chronological, unpredictable, and rooted in real experience. As he explains, he's drawn to stories that are "wild rather than relatable," and to storytellers who embrace vulnerability over resolution.
Over the past decade, The Tell has grown into something more than a performance series. It has become a community—one where people connect, form relationships, and share experiences in a space built on honesty and curiosity.
Despite its success, Leviton resists pressure to expand or commercialize the series. For him, the goal isn't growth—it's maintaining the spirit of the experience itself.
Here he explains the philosophy behind The Tell, and what it reveals about the role of storytelling in our lives.
www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story
By Leo Sidran4.9
172172 ratings
At his monthly series The Tell, writer and storyteller Michael Leviton brings together performers and audiences for an evening where nothing is scripted and no lineup is announced.
At The Tell, audiences arrive without knowing who will take the stage. Each night features four storytellers and two musical performances, unfolding over two sets. The result is a dynamic and unscripted experience where stories can be funny, moving, surprising—or all three at once.
Leviton created The Tell as an alternative to more formal storytelling formats. Rather than polished, rehearsed narratives, he favors stories that are chronological, unpredictable, and rooted in real experience. As he explains, he's drawn to stories that are "wild rather than relatable," and to storytellers who embrace vulnerability over resolution.
Over the past decade, The Tell has grown into something more than a performance series. It has become a community—one where people connect, form relationships, and share experiences in a space built on honesty and curiosity.
Despite its success, Leviton resists pressure to expand or commercialize the series. For him, the goal isn't growth—it's maintaining the spirit of the experience itself.
Here he explains the philosophy behind The Tell, and what it reveals about the role of storytelling in our lives.
www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story

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