If you've ever wondered what exactly an Urtext edition is, or why it matters, you’re not alone. Today, I'm chatting with musicologist and editor Dr Mario Aschauer to explore what goes into creating these “original” scores and why they’re more complex and more fascinating than they first appear. From Beethoven’s messy handwriting to Mozart myths, this episode will open your eyes to how much history, detective work, and musical curiosity is wrapped into every note.

Links Mentioned

Today's Guest

Dr. Mario Aschauer is an Austrian-born musicologist, conductor, and harpsichordist renowned for his work at the intersection of music scholarship and performance. He currently serves as Associate Professor of Musicology at Sam Houston State University, where he also directs the Center for Early Music Research and Performance.

In addition to performing internationally as a specialist in historical keyboards and Austrian Baroque repertoire, Aschauer is a prolific editor of Urtext editions for publishers like Bärenreiter, including works by Beethoven, Mozart, and Schubert.

He is the founder and artistic director of Harmonia Stellarum Houston and author of the influential book German Keyboard Treatises in the Second Half of the Eighteenth Century. Holding degrees from the University of Vienna and the University of Music and Performing Arts Vienna, he has also held research roles at the Austrian Academy of Sciences and Yale School of Music, with ongoing interests in performance practice, editorial process, and the compositional sketches of Anton Bruckner.

Today's Sponsor

Just a year ago, the German music publisher Bärenreiter celebrated its 100th anniversary. The story began modestly, with editions of folk songs and church music produced by the young founder, Karl Vötterle, in his parents’ living room. But the publishing house quickly expanded.

After the Second World War, Bärenreiter increasingly focused on scholarly-critical editions, growing into one of the world’s leading classical music publishers. While the company’s early Urtext publications centered on Mozart, Bach, and Schubert, its catalogue now includes over 10,000 titles, featuring works by composers such as Beethoven, Brahms, Chopin, Debussy, Fauré, Mendelssohn, Schumann, Ravel, Satie, and many others.

Bärenreiter's Urtext editions are prepared by renowned musicologists, with no effort spared in locating and evaluating all available sources. But providing a reliable musical text is only part of the mission. Each edition also includes prefaces and commentaries that explore the genesis of the works and address questions of performance practice. This enables musicians to place each composition in its historical context and develop a deeper understanding of the composer’s intentions.

Find out more about Bärenreiter here.

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