Repertoire can make or break a student’s motivation, and yet finding that just-right piece is one of the toughest parts of our job. In today’s episode, we’re having a chat with William Perry, the mastermind behind Piano Music Database, a powerful tool designed to help teachers discover ideal pieces using filters like rhythm, level, mood, and more. From public domain gems to modern compositions, this is a game-changer for anyone searching for truly personalized repertoire.

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Today's Guest

William Perry is a pianist, educator, keyboardist, organist, and the founder of Piano Music Database, an online platform that helps piano teachers find the best music for their students. He holds degrees in piano performance and pedagogy from Stetson University and Florida State University. As a soloist, William has performed across the U.S. and in Europe. He performs regularly as an electronic keyboardist for large-scale tribute shows, serves as the organist for Holy Trinity–St. Nicholas Greek Orthodox Church, and is the collaborative pianist for the Young Professionals Choral Collective. He lives in Cincinnati, where he runs the Woodmont Piano Studio and teaches private piano lessons.

Today's Sponsor

Just a year ago, the German music publisher Bärenreiter celebrated its 100th anniversary. The story began modestly, with editions of folk songs and church music produced by the young founder, Karl Vötterle, in his parents’ living room. But the publishing house quickly expanded.

After the Second World War, Bärenreiter increasingly focused on scholarly-critical editions, growing into one of the world’s leading classical music publishers. While the company’s early Urtext publications centered on Mozart, Bach, and Schubert, its catalogue now includes over 10,000 titles, featuring works by composers such as Beethoven, Brahms, Chopin, Debussy, Fauré, Mendelssohn, Schumann, Ravel, Satie, and many others.

Bärenreiter's Urtext editions are prepared by renowned musicologists, with no effort spared in locating and evaluating all available sources. But providing a reliable musical text is only part of the mission. Each edition also includes prefaces and commentaries that explore the genesis of the works and address questions of performance practice. This enables musicians to place each composition in its historical context and develop a deeper understanding of the composer’s intentions.

Find out more about Bärenreiter here.

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