By 5 Plain Questions
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The podcast currently has 165 episodes available.
Christina Woods, the first Anishinaabe Executive Director of the Duluth Art Institute, shares her journey of transforming a predominantly white institution into a BIPOC-led hub for the arts. With over 35 years of experience working with underserved communities, Christina emphasizes the importance of community engagement and inclusivity in the arts. She reflects on the profound influence of her elders and family, particularly her mother and uncle, who instilled in her the values of love and activism. Throughout the conversation, she discusses the significance of lived experiences and storytelling in shaping artistic practices, advocating for a deeper understanding of knowledge beyond academic credentials. Christina’s passion for empowering individuals and fostering creativity shines through as she highlights the vital role of artists in enriching community life and driving change.
Hello, and welcome again to 5 Plain Questions, a podcast that proposes 5 questions to Indigenous Artists, creators, musicians, writers, movers and shakers, and culture bearers, people in the community doing great things for their communities.
I’m Joe Williams, your host for this conversation. My goal is to showcase the amazing people in our Indigenous community around the region and country. So, join me as we sit down and hear the stories and perspectives from our amazing community, where there is a story with each and every one of us.
I want to introduce you to Christina Woods.
Christina Woods has 35 years working with underserved communities and individuals and serves the Duluth Art Institute (DAI) as its first Anishinaabe Executive Director. Currently, she serves on the City of Duluth Public Arts Commission, past president, State of Minnesota Capitol Arts Committee as the Chair, the State of MN CAAPB task force participant, State of Minnesota State Arts Board, Arts Midwest Board of Directors, Chair of the Board New Native Theatre, U.S. Senate Curatorial Advisory Board, The Nature Conservancy Board of Trustees. Christina is an enrolled member of the Bois Fort Band of Chippewa and works closely with the Anishinaabe community as a leader and mentor. Christina also conducts trainings and workshops on equity, diversity and inclusion including the program she created for the DAI, Commission Your Bias. Christina’s work social justice brings a unique lens to the context of an arts organization. Christina is a 2019 AARP 50 0ver 50 awardee in bias busting. She holds a bachelor’s degree in Elementary Education and a Masters of Education in Leadership. Christina is called upon locally, regionally and nationally as an expert in decolonization, diversity, equity and inclusion. Christina consults on these topics through her company Diversity Consulting.
A top talent, brilliant administrator and strategist, Christina Woods is a talented leader. Her success includes a 14 year career teaching, 10 years narrating and on camera work on the national program Native Report, and 30 years writing curriculum and grants, fundraising, and diversity/inclusion consultation. Christina brings an extensive range of non-profit experience as a board member, executive director and business leader. As an Anishinaabekwe and community leader, Christina shares
her enthusiasm for empowering individuals and illuminating the breadth of human experiences.
Christina enthusiastically leads the vision of the Duluth Art Institute as its first Anishinaabe leader. Her focus is delivered with tender attention to advocacy rooted in celebrating inclusivity and expansive thinking. Christina thoughtfully serves our community with a vision to the future. She lives in Duluth, MN with her acknowledged home in the Bois Forte Nation of Northern MN.
So let’s jump into this conversation with Christina…
Website:
duluthartinstitute.org
Links referenced in this episode:
Companies mentioned in this episode:
5 Plain Questions is moving platforms, so there will be no new episode this week. But don't fear, new episodes will be coming next week.
In the meantime, check out Beyond the Art by myself and Cray Bauxmont-Flynn and Beyond the Design with Cray. Also, check out Sage-Based Wisdom with Jana Schmieding and Brian Bahe.
Jesse Hernandez (@UrbanAztec) is a visual artist born and raised in the San Francisco bay area. He is most widely recognized for his street art murals, vinyl toys, and diverse Illustration work. His style is known as Urban Aztec, a combination of graffiti and ancient indigenous culture. Hernandez’s artwork has been featured by Marvel, Warner Bros, DC Comics, Gears of war 4, San Jose Sharks, The Oakland Museum, Rockstar energy drink, Rolling Stone, Fandango, Juxtapoz, X-Box, Playstation, WWE, Run the Jewels, Oakland Athletics, and the Cosmopolitan Las Vegas. Hernandez has shown art in galleries and museums around the world. He has also painted murals in Oakland, San Francisco, San Jose, Richmond, Los Angeles, Mexico city and Amsterdam.
Website: Urbanaztec.com
Instagram: @Urbanaztec
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Chris Pappan is an enrolled member of the Kaw Nation and honors his Osage and Lakota heritage. His cited artistic influences are the Lowbrow art movement, Heavy Metal and Juxtapoz magazines, and taps into the American cultural roots of 1970s underground comics, punk, and hot rod cultures. His art literally reflects the dominant culture’s distorted perceptions of Native peoples and is based on the Plains Native art tradition known as Ledger Art.
A graduate of the Institute of American Indian Arts in Santa Fe and a nationally recognized painter and ledger artist, Chris’ work is in numerous museums such as the National Museum of the American Indian, Washington D.C.; the Tia collection in Santa Fe NM and the Speed Museum of Art in Louisville KY among many other important collections both nationally and internationally. He is represented by Blue Rain Gallery in Santa Fe NM.
Chris is currently a board member of the Illinois State Museum and is a co-founder of the Center for Native Futures, a Native American gallery and studio space in Chicago’s
Loop. He lives and works in Chicago with his wife Debra Yepa-Pappan, and their daughter Ji Hae.
headshot photo by Tran Tran
Website:
http://chrispappan.com/
Center for Native Futures Website:
https://www.centerfornativefutures.org/
Unbound: Narrative Art of the Plains
https://americanindian.si.edu/explore/exhibitions/item?id=1005
Kahstoserakwathe Paulette Moore is an independent filmmaker and Kanyen'kehà:ka (Mohawk) citizen. She is the founder of The Aunties Dandelion media organization which is focused on revitalizing communities through stories of land, language, and relationships. She spent 15 years in Washington, DC creating films for National Geographic, Discovery Channel, and others. And she a fluent Mohawk speaker (ACTFL Intermediate High).
Website:
https://www.theauntiesdandelion.com/
Podcast:
https://open.spotify.com/show/4XI2I2r58vb2kVXRr5mKWb
LinkedIn:
https://www.linkedin.com/in/kahstoserakwathe/
Joe is back with an update on season.
Secretary of the Interior Deb Haaland joins Joe Williams to discuss her historic role as the first Native American cabinet secretary and the significance of her position for Indigenous communities across the United States. Raised in a military family and deeply connected to her Pueblo heritage, Haaland shares her journey from organizing voter registration efforts to holding a key leadership role in the federal government. Throughout the conversation, she reflects on the influences that shaped her career, including trailblazers like Shirley Chisholm and the importance of community voices in politics. Haaland emphasizes the need for hard work and dedication to ensure that Indigenous rights and treaty obligations are upheld. The episode also touches on personal stories and cultural connections, including a delightful discussion about the secret to making great salsa, highlighting the rich culinary traditions of New Mexico.
Secretary Deb Haaland made history when she became the first Native American to serve as a cabinet secretary. She is a member of the Pueblo of Laguna and a 35th generation New Mexican.
Secretary Haaland grew up in a military family; her father was a 30-year combat Marine who was awarded the Silver Star Medal for saving six lives in Vietnam, and her mother is a Navy veteran who served as a federal employee for 25 years at the Bureau of Indian Affairs. As a military child, she attended 13 public schools before graduating from Highland High School in Albuquerque.
As a single mother, Secretary Haaland volunteered at her child's pre-school to afford early childhood education. Like many parents, she had to rely on food stamps at times as a single parent, lived paycheck-to-paycheck, and struggled to put herself through college. At the age of 28, Haaland enrolled at the University of New Mexico (UNM) where she earned a Bachelor’s degree in English and later earned her J.D. from UNM Law School. Secretary Haaland and her child, who also graduated from the University of New Mexico, are still paying off student loans.
Secretary Haaland ran her own small business producing and canning Pueblo Salsa, served as a tribal administrator at San Felipe Pueblo, and became the first woman elected to the Laguna Development Corporation Board of Directors, overseeing business operations of the second largest tribal gaming enterprise in New Mexico. She successfully advocated for the Laguna Development Corporation to create policies and commitments to environmentally friendly business practices.
Throughout her career in public service, Secretary Haaland has broken barriers and opened the doors of opportunity for future generations.
After running for New Mexico Lieutenant Governor in 2014, Secretary Haaland became the first Native American woman to be elected to lead a State Party. She is one of the first Native American women to serve in Congress. In Congress, she focused on environmental justice, climate change, missing and murdered indigenous women, and family-friendly policies.
A powerful dialogue unfolds as Joe Williams welcomes Secretary of the Interior Deb Haaland to his podcast, which highlights the voices and stories of Indigenous creators and leaders. The conversation shines a spotlight on Haaland's groundbreaking role as the first Native American cabinet secretary in U.S. history, a significant milestone for Indigenous representation in government. Williams and Haaland delve into her personal journey, exploring her upbringing in a military family, the influences of her Pueblo culture, and the legacy of Native leaders who came before her, including champions of voting rights and treaty responsibilities.
Haaland shares the deep connection she feels to her roots, crediting her grandmother and mother for instilling a sense of pride in her heritage. The discussion transitions into the vital work she is doing at the Department of the Interior, emphasizing the importance of upholding the trust and treaty obligations owed to Native tribes. Haaland’s commitment to environmental justice, advocacy for missing and murdered Indigenous women, and family-friendly policies reflects her dedication to addressing the pressing issues facing Indigenous communities today.
In a lighter yet poignant moment, the conversation touches on a personal favorite topic of Haaland – making great salsa. She emphasizes the significance of using local New Mexico chili, underscoring how food connects us to culture and community. This episode is not just an interview; it is a rich exploration of identity, resilience, and the ongoing journey toward justice for Indigenous peoples in America.
Takeaways:
Chief Arvol Looking was born on the Cheyenne River Reservation in South Dakota. His primary responsibility is serving as the 19th Generation Keeper of the Sacred White Buffalo Calf Pipe – a role he was given at the age of twelve making him the youngest pipe keeper in Lakota history. As keeper of the sacred Pipe he also serves as the spiritual leader to the Lakota, Dakota, and Nakota Nation and advocates for the restoration of the Lakota Nation’s rights to the Black Hills—as guaranteed by the 1868 Laramie Treaty.
He grew up in an era of religious suppression, where traditional Lakota ceremonies were outlawed in both the US and Canada from the early 1900’s until the Indian Religious Freedom Act in 1978. His family was forced to hold Sundance, sweatlodge, vision quests, and healing ceremonies underground for fear of arrest by the police.
Arvol’s advocacy of environmental and Indigenous rights and issues has been recognized globally as a recipient of the Wolf Award of Canada, the Juliet Hollister Award, a Non-Governmental Organization with Consultation Status with the United Nations Economic and Social Council. He is also the author of White Buffalo Teachings and a guest columnist for Indian Country Today.
Since 1990, Arvol has also devoted himself to facilitate healing to all people and cultures through several sacred Prayer Rides on Horseback including The Annual Wintertime Chief Bigfoot Memorial Ride to Wounded Knee in order to mend the Sacred Hoop that was broken during the Massacre in 1890, The Unity Ride from B.C. to Six Nations in the early 2000s whose purpose was to heal historical trauma through the land and animals, and since 2005, he has supported and participated on the Dakota 38 Ride that takes place every December from South Dakota to Mankato, Minnesota to honor the memory of the 38 + 2 Dakota men who died under order of President Abraham Lincoln the Day after Christmas in 1862 in what was the largest mass hanging in U.S. history.
Jewelry making has been a Reano family tradition for over a century. The Reano family legacy started with Jose Isidro Reano and Clara Lovato Reano. Janie Reano is proudly carrying on tradition. Clara introduced her to jewelry making by teaching her to cut olivella shells to create heishe beads. Then progressing to various stones and shells. Eventually, how to grind, sand and polish the beads. Years later, Janie would expand
her skills under her Aunt Angie Owen. Learning the skills at creating mosaic jewelry. In 2016, Janie branched out at making her own style of jewelry. The influence of living in "Green" Oregon gave her the idea to recycle the left-over material used in creating necklaces and mosaic inlay. Janie recycled the material by drilling each small piece then tumbling them for several weeks. Then, 'stringing' up beads using sterling silver wire. The jewelry was debuted at the SWAIA Winter Market 2016. These days Janie collaborates with her mother, Rose Reano. She sells her jewelry year-round at the Palace of Governors in downtown Santa Fe and online at www.kewaparrotjewelry.com . She also participates at SWAIA Santa Fe Indian Market and Eiteljorg Indian Market and Festival in Indianapolis Indiana.
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