Larry Goldings has been one of the most respected, versatile and working jazz pianists and organists around since he moved to New York in 1986 to attend the (then) brand new New School jazz program.

His career has been varied, working with his own trio with drummer Bill Stewart and guitarist Peter Bernstein (a project that started nearly 30 years ago), stints as a sideman with Jon Hendricks, Jim Hall, John Scofield, Maceo Parker, and more recently James Taylor, and session work in LA.

Since moving to California in the early aughts, he has worked as a session player with producers including Larry Klein, Tommy LiPuma and Steve Jordan, and artists including Madeleine Peyroux, John Mayer, and of course James Taylor.

Along the way he's recorded on over 100 albums as a sideman, released nearly 20 as a leader, and contributed to various film and TV projects.

Here he talks about the scene in New York in the 90s, developing his approach to the organ, the difference between New York and LA, and the importance of humor in his life.

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