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đ„In this finale episode of the seasonđ„ Hilliard and guest co-host writer-director Gregg Simon sat down with Showrunner-creator-director-author QUINTON PEEPLES in a super informative, 2-hour, nothing but game episode for any writer who wants to write and produce network TV.Â
HIGHLIGHTS:Â
Getting that first job and keeping it, writing TV movies and thriving through quality, why your interests help you to write your spec pilot, writing genre, pivoting to TV and diversifying, preparing for good to arrive, learning the dynamics of the writersâ room, apprenticing your way to the top and becoming EP/showrunner, the value of a diverse room, staffing your room, show running 11.22.63, rejection and so much more!
About Quinton - Moving easily between the world of indie film and television, Quinton has written multiple features for all the major networks and studios including Fox, NBC, ABC, Disney, Lionsgate and many others. He found his way to directing in 1995 when he shot his original screenplay âJOYRIDEâ starring Tobey Maguire and Benicio DelToro. He continues to direct indie features, commercials, and web series, in addition to his writing work.
In 2008 when the WGA strike happened Quinton realized everyone else on the picket line had work friends to march with and he didnât. Thatâs when he discovered that television writers collaborate as a team and the lure of that idea was irresistible. He wrote his first television spec pilot which resulted in his staffing on âFLASHFORWARDâ at ABC. Transitioning to hour long drama, Quinton has worked on multiple shows as varied as âUNFORGETTABLEâ, âTHE LAST SHIPâ, â11/22/63â, and Marvelâs âRUNAWAYSâ. Most recently he was the showrunner on the limited series âECHOESâ for Netflix.
Quinton is also a published author, with essays appearing in âCUT TO THE CHASE: WRITING FEATURE FILMS WITH THE PROSâ, âETERNAL LIVING: REFLECTIONS ON FAITH AND FORMATIONâ, and the graphic novel, âTHE BIG COUNTRYâ. His screenplay with Billy Crystal, âHAVE A NICE DAYâ was performed live on stage at the Minetta Theater in New York City and is available on Audible as part of their Audible Originals program.
đ„SUBSCRIBEđ„ if youâre serious about writing for TV/Film, leveling up your craft, and staying tapped into real game from working industry pros who KEEP IT GAME ALL DAY.
MERCH (NEW T-SHIRTS/HOODIES), and all things Rant Room!
â â https://screenwriters-rant-room.printify.me/productsâ â
YouTube Shorts & Videos!
â â https://www.youtube.com/channel/UCua83eFRxVA1-r3ry5c0-fQâ â
â â â â â â â â
@Hilliard Guess on social media
IG: @ScreenwritersRantRoom
Guests:
@Quintonwrites TikTok
@Gregglsimon
WE ARE NOW OPEN TO SPONSORSHIP AND BRANDING OPPORTUNITIESâ â â â â â â â â â â â â â â â â â â â â â â â â :Â
â â [email protected]â â
Video:Â
@writerly203
@mohawkdirector
Joshua Kazemi
BTS:
@iamjerryjerome
Our Motto: âKeep it GAME all day!â
By Hilliard Guess5
154154 ratings
đ„In this finale episode of the seasonđ„ Hilliard and guest co-host writer-director Gregg Simon sat down with Showrunner-creator-director-author QUINTON PEEPLES in a super informative, 2-hour, nothing but game episode for any writer who wants to write and produce network TV.Â
HIGHLIGHTS:Â
Getting that first job and keeping it, writing TV movies and thriving through quality, why your interests help you to write your spec pilot, writing genre, pivoting to TV and diversifying, preparing for good to arrive, learning the dynamics of the writersâ room, apprenticing your way to the top and becoming EP/showrunner, the value of a diverse room, staffing your room, show running 11.22.63, rejection and so much more!
About Quinton - Moving easily between the world of indie film and television, Quinton has written multiple features for all the major networks and studios including Fox, NBC, ABC, Disney, Lionsgate and many others. He found his way to directing in 1995 when he shot his original screenplay âJOYRIDEâ starring Tobey Maguire and Benicio DelToro. He continues to direct indie features, commercials, and web series, in addition to his writing work.
In 2008 when the WGA strike happened Quinton realized everyone else on the picket line had work friends to march with and he didnât. Thatâs when he discovered that television writers collaborate as a team and the lure of that idea was irresistible. He wrote his first television spec pilot which resulted in his staffing on âFLASHFORWARDâ at ABC. Transitioning to hour long drama, Quinton has worked on multiple shows as varied as âUNFORGETTABLEâ, âTHE LAST SHIPâ, â11/22/63â, and Marvelâs âRUNAWAYSâ. Most recently he was the showrunner on the limited series âECHOESâ for Netflix.
Quinton is also a published author, with essays appearing in âCUT TO THE CHASE: WRITING FEATURE FILMS WITH THE PROSâ, âETERNAL LIVING: REFLECTIONS ON FAITH AND FORMATIONâ, and the graphic novel, âTHE BIG COUNTRYâ. His screenplay with Billy Crystal, âHAVE A NICE DAYâ was performed live on stage at the Minetta Theater in New York City and is available on Audible as part of their Audible Originals program.
đ„SUBSCRIBEđ„ if youâre serious about writing for TV/Film, leveling up your craft, and staying tapped into real game from working industry pros who KEEP IT GAME ALL DAY.
MERCH (NEW T-SHIRTS/HOODIES), and all things Rant Room!
â â https://screenwriters-rant-room.printify.me/productsâ â
YouTube Shorts & Videos!
â â https://www.youtube.com/channel/UCua83eFRxVA1-r3ry5c0-fQâ â
â â â â â â â â
@Hilliard Guess on social media
IG: @ScreenwritersRantRoom
Guests:
@Quintonwrites TikTok
@Gregglsimon
WE ARE NOW OPEN TO SPONSORSHIP AND BRANDING OPPORTUNITIESâ â â â â â â â â â â â â â â â â â â â â â â â â :Â
â â [email protected]â â
Video:Â
@writerly203
@mohawkdirector
Joshua Kazemi
BTS:
@iamjerryjerome
Our Motto: âKeep it GAME all day!â

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