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The fourth and final episode in the Settling the Underscore series, exploring music for advertising. Finally, after weeks of talking to composers, producers, and editors, we hear from the musicians who made the glory days of the jingle business what they were. Bassist Will Lee, keyboard player Rob Mounsey, and guitar player Steve Khan. All three were part of a generation of players on the New York session scene in the 1970s and 1980s, sometimes playing on multiple projects every day.
I've been eager to share these little mementos, because the deeper I got into the swamp of music for advertising, interviewing composers, music houses, editors, agency folks, the more the conversations centered around business. How is the business set up? How does one get paid? Is it fair?
But of course, we don't become musicians, or composers, editors, or even advertising executives by aspiring to be in business. We do it because of a creative compulsion. And these musicians are perhaps the purest expression of that intention.
If you're a very long time listener, you may recognize some of these moments. But some things just bear repeating. Thanks for listening! If you enjoyed it, please leave a review on iTunes and consider supporting the podcast on Patreon!
www.patreon.com/thirdstorypodcast
www.third-story.com
By Leo Sidran4.9
172172 ratings
The fourth and final episode in the Settling the Underscore series, exploring music for advertising. Finally, after weeks of talking to composers, producers, and editors, we hear from the musicians who made the glory days of the jingle business what they were. Bassist Will Lee, keyboard player Rob Mounsey, and guitar player Steve Khan. All three were part of a generation of players on the New York session scene in the 1970s and 1980s, sometimes playing on multiple projects every day.
I've been eager to share these little mementos, because the deeper I got into the swamp of music for advertising, interviewing composers, music houses, editors, agency folks, the more the conversations centered around business. How is the business set up? How does one get paid? Is it fair?
But of course, we don't become musicians, or composers, editors, or even advertising executives by aspiring to be in business. We do it because of a creative compulsion. And these musicians are perhaps the purest expression of that intention.
If you're a very long time listener, you may recognize some of these moments. But some things just bear repeating. Thanks for listening! If you enjoyed it, please leave a review on iTunes and consider supporting the podcast on Patreon!
www.patreon.com/thirdstorypodcast
www.third-story.com

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