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How do I break into the film business?
That is the number one question we get asked, so we figured maybe it was time to finally answer it. For the past few months, we've asked some of the top professionals in the fields of cinematography, animation, sound, producing, and directing how they got their start and the answers were surprising even to us!
"The world has a way of opening doors and closing doors on you. I basically ended up - through poverty and desperation - back in England as a news sound man, to begin with. Just trying to get a job anywhere I could. And [I] did freelance sound for the American networks for about a year. Which I was actually very, very bad at. And so it was kind of suggested that I do something else. And I kept telling the networks, 'well, I can shoot.' [Then] the Falklands war broke out in 1982 and there suddenly weren't enough cameramen in England to cover it. [So] they very reluctantly - CBS - moved me up to cameraman."
—Sean Bobbitt, B.S.C.
Many thanks to Sean Bobbitt, Kori Rae, Dan Scanlon, Peilin Chou, Glen Keane, Gennie Rim, Oliver Tarney, Mike Prestwood Smith, William Miller, and John Pritchett for sharing your superhero origin stories with us.
If you enjoyed this episode, please let us know. We might just make this a recurring series! You can follow Glenn on Twitter or you can leave us a rating & review on the Apple Podcasts app.
Please subscribe to Sound + Image Lab: The Dolby Institute Podcast wherever you get your podcasts - https://linktr.ee/dolbyinstitute
Connect with Dolby:
Visit the Dolby WEBSITE: https://www.dolby.com
Like Dolby on FACEBOOK: https://www.facebook.com/Dolby/
Follow Dolby on TWITTER: https://twitter.com/Dolby
Follow Dolby on INSTAGRAM: https://www.instagram.com/dolbylabs/
Follow Dolby on LINKEDIN: https://www.linkedin.com/company/dolby-laboratories
By Dolby4.8
2828 ratings
How do I break into the film business?
That is the number one question we get asked, so we figured maybe it was time to finally answer it. For the past few months, we've asked some of the top professionals in the fields of cinematography, animation, sound, producing, and directing how they got their start and the answers were surprising even to us!
"The world has a way of opening doors and closing doors on you. I basically ended up - through poverty and desperation - back in England as a news sound man, to begin with. Just trying to get a job anywhere I could. And [I] did freelance sound for the American networks for about a year. Which I was actually very, very bad at. And so it was kind of suggested that I do something else. And I kept telling the networks, 'well, I can shoot.' [Then] the Falklands war broke out in 1982 and there suddenly weren't enough cameramen in England to cover it. [So] they very reluctantly - CBS - moved me up to cameraman."
—Sean Bobbitt, B.S.C.
Many thanks to Sean Bobbitt, Kori Rae, Dan Scanlon, Peilin Chou, Glen Keane, Gennie Rim, Oliver Tarney, Mike Prestwood Smith, William Miller, and John Pritchett for sharing your superhero origin stories with us.
If you enjoyed this episode, please let us know. We might just make this a recurring series! You can follow Glenn on Twitter or you can leave us a rating & review on the Apple Podcasts app.
Please subscribe to Sound + Image Lab: The Dolby Institute Podcast wherever you get your podcasts - https://linktr.ee/dolbyinstitute
Connect with Dolby:
Visit the Dolby WEBSITE: https://www.dolby.com
Like Dolby on FACEBOOK: https://www.facebook.com/Dolby/
Follow Dolby on TWITTER: https://twitter.com/Dolby
Follow Dolby on INSTAGRAM: https://www.instagram.com/dolbylabs/
Follow Dolby on LINKEDIN: https://www.linkedin.com/company/dolby-laboratories

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