This week we're taking a look at David Lynch's fourth feature, Blue Velvet. It is the first movie of his career that feels truly Lynchian in the way that we recognize the best of his movies. Blue Velvet comes hot on the heels of Lynch's disastrous failure, Dune, a movie experience that was terrible for everyone involved an led to a career low point for Lynch. But thankfully, Lynch found himself patronized by 80's super producer, Dino De Laurentiis, a producer who believed in Lynch's gift at a time when no one else would and were it not for Dino, we're not sure that we get the rest of the movies Lynch is so well known for. Realizing that Blue Velvet was commercially radioactive but supportive regardless, De Laurentiis transformed his entire company to also accomodate film distribution just for Blue Velvet and when the movie dropped it struck critics and viewers in such a way that they knew they were seeing something grotesque and special at the same time.

Blue Velvet sees Jeffrey Beaumont, a young resident of the sleepy small town, Lumberton, drawn into a world of violence, sex, and obsession when he finds a severed ear in a field which leads him to the city's underworld, a place occupied by dangerous people living a desperate existence. He falls in love with the femme fatale, Dorothy Vallens, runs afoul of drug dealer Frank Booth, and struggles to free her from Frank's grasp. The descent into the city's dark side reveals uncomfortable truths about Jeffrey and by extension, all of us.

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