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Travel with us beyond the sea to look at ultramarine, a pigment that was once even more precious than gold.
In this episode, writer Victoria Finlay joins Beks for a discussion on how researching ultramarine took her to Afghanistan. She journeyed to the blue mines where you can find lapis lazuli, the semi-precious stone ultramarine comes from. Along the journey, we pause to look at some of the National Gallery’s paintings – including one noteworthy for its lack of ultramarine...
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Victoria has written several books about colour - including 'Colour, Travels through the Paintbox' and 'The Brilliant History of Color in Art' - which involved travelling across the globe to the very places that ancient pigments and dyes came from. Her most recent book is about the hidden histories of fabric.
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Watch the full episode on YouTube: https://www.youtube.com/watch?v=8lOs0_Yi-G8
You can email us with any questions via [email protected]
Find out more about the podcast on our website: www.nationalgallery.org.uk/podcast
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Paintings mentioned:
English or French (?), ‘The Wilton Diptych’, About 1395-9 https://www.nationalgallery.org.uk/paintings/english-or-french-the-wilton-diptych
Michelangelo, ‘The Entombment (or Christ being carried to his Tomb)’, About 1500-1 https://www.nationalgallery.org.uk/paintings/michelangelo-the-entombment-or-christ-being-carried-to-his-tomb
Sassoferrato, ‘The Virgin and Prayer’, 1640-50 https://www.nationalgallery.org.uk/paintings/sassoferrato-the-virgin-in-prayer
Titian, ‘Bacchus and Ariadne’, 1520-3 https://www.nationalgallery.org.uk/paintings/titian-bacchus-and-ariadne
Pierre-Auguste Renoir, ‘The Umbrellas’, About 1881-6 https://www.nationalgallery.org.uk/paintings/pierre-auguste-renoir-the-umbrellas
Claude Monet, ‘Irises’, About 1914-17 https://www.nationalgallery.org.uk/paintings/claude-monet-irises
Paul Cezanne, ‘Hillside in Provence’, About 1890-2 https://www.nationalgallery.org.uk/paintings/paul-cezanne-hillside-in-provence
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Further reading:
Victoria Finlay, ‘Color: A Natural History of the Palette’, 2002
Victoria Finlay, ‘Colour: Travels through the Paintbox’, 2002
Victoria Finlay, ‘The Brilliant History of Color in Art’, 2014
Victoria Finlay, ‘Fabric: The Hidden History of the Material World’, 2021
Cennino Cennini, ‘Il Libro dell'Arte’, produced late 14th-century
Find out more about Ultramarine in our ‘Chemistry of Colour’ YouTube series: https://www.youtube.com/watch?v=1EzUlnRtDGM
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Episode credits:
Guest: Victoria Finlay
Host and executive producer: Beks Leary
Producer: Harry Rosehill
Researcher: Hannah Rogers
Technicians: Ian Warren and Tom Gulliver
Video Producers: Jeanne Kenyon and Alessandro Sorenti
Editor: Paul Frankl
Theme music: Theo Elwell
By The National Gallery4.6
2626 ratings
Travel with us beyond the sea to look at ultramarine, a pigment that was once even more precious than gold.
In this episode, writer Victoria Finlay joins Beks for a discussion on how researching ultramarine took her to Afghanistan. She journeyed to the blue mines where you can find lapis lazuli, the semi-precious stone ultramarine comes from. Along the journey, we pause to look at some of the National Gallery’s paintings – including one noteworthy for its lack of ultramarine...
-------
Victoria has written several books about colour - including 'Colour, Travels through the Paintbox' and 'The Brilliant History of Color in Art' - which involved travelling across the globe to the very places that ancient pigments and dyes came from. Her most recent book is about the hidden histories of fabric.
-------
Watch the full episode on YouTube: https://www.youtube.com/watch?v=8lOs0_Yi-G8
You can email us with any questions via [email protected]
Find out more about the podcast on our website: www.nationalgallery.org.uk/podcast
-------
Paintings mentioned:
English or French (?), ‘The Wilton Diptych’, About 1395-9 https://www.nationalgallery.org.uk/paintings/english-or-french-the-wilton-diptych
Michelangelo, ‘The Entombment (or Christ being carried to his Tomb)’, About 1500-1 https://www.nationalgallery.org.uk/paintings/michelangelo-the-entombment-or-christ-being-carried-to-his-tomb
Sassoferrato, ‘The Virgin and Prayer’, 1640-50 https://www.nationalgallery.org.uk/paintings/sassoferrato-the-virgin-in-prayer
Titian, ‘Bacchus and Ariadne’, 1520-3 https://www.nationalgallery.org.uk/paintings/titian-bacchus-and-ariadne
Pierre-Auguste Renoir, ‘The Umbrellas’, About 1881-6 https://www.nationalgallery.org.uk/paintings/pierre-auguste-renoir-the-umbrellas
Claude Monet, ‘Irises’, About 1914-17 https://www.nationalgallery.org.uk/paintings/claude-monet-irises
Paul Cezanne, ‘Hillside in Provence’, About 1890-2 https://www.nationalgallery.org.uk/paintings/paul-cezanne-hillside-in-provence
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Further reading:
Victoria Finlay, ‘Color: A Natural History of the Palette’, 2002
Victoria Finlay, ‘Colour: Travels through the Paintbox’, 2002
Victoria Finlay, ‘The Brilliant History of Color in Art’, 2014
Victoria Finlay, ‘Fabric: The Hidden History of the Material World’, 2021
Cennino Cennini, ‘Il Libro dell'Arte’, produced late 14th-century
Find out more about Ultramarine in our ‘Chemistry of Colour’ YouTube series: https://www.youtube.com/watch?v=1EzUlnRtDGM
-------
Episode credits:
Guest: Victoria Finlay
Host and executive producer: Beks Leary
Producer: Harry Rosehill
Researcher: Hannah Rogers
Technicians: Ian Warren and Tom Gulliver
Video Producers: Jeanne Kenyon and Alessandro Sorenti
Editor: Paul Frankl
Theme music: Theo Elwell

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