I’m trying to imagine what it might be like to design an Amazon warehouse…a typical fulfillment centre is at least a million square feet filled with a zillion kilometres of shelving…

And given that amazon is all about speed—the company is always trying to cut down the time between the time you click “checkout” and when the package shows up at your door—they’re always looking for the most efficient ways to find whatever you ordered on those shelves and stuff it into a box…

The logistics of this is mind-boggling…not only do you have to categorize millions of items but you have to group them in such a way that things that are in the demand the most don’t create choke points for the robots that grab the stuff off the shelves…

Music is a lot like an Amazon warehouse, except in some cases, it’s worse…not only do we have to categorize everything to a very granular detail, but we also have to make it possible for us to fortuitously stumble over something you might like…

This is when we get into the whole idea of genres…at last count, Spotify has organized things into 2,424 different genres…there’s also website called “every noise at once” that lists about 2,000…

This is both terrifying and fascinating…and it deserves study…this is a guide to genres, part 2…

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