This week we take a break from the dismissal hymns to the Theotokos, and consider the rich imagery of the hymn (in tone 5) to Mary after the Aposticha. Its symbols are illumined for us by the Psalter, Ezekiel 33-35, and Isaiah 6.

This week we take a break from the dismissal hymns to the Theotokos, and consider the rich imagery of the hymn (in tone 5) to Mary after the Aposticha. Its symbols are illumined for us by the Psalter, Ezekiel 33-35, and Isaiah 6.

This week’s Divine Liturgy for the Forerunner is accompanied by a simple yet profound thetokion, which we mine for treasure by reference to Psalm 44/45, the Psalter, Song of Solomon, and other helpful passages from the Old Testament.

Edith Humphrey begins a new series on the eight resurrectional (dismissal) hymns to the Theotokos, beginning with the one in tone three appointed for this week. Help is found in interpreting the mysteries of this hymn from the prophet Jeremiah, from the early chapters of Genesis, and from Isaiah’s vision of the heavenly throne-room.

This week we understand the depths of Christ’s demolition of death, and the great reversal, in the light of Ezekiel 7, Jeremiah 7, and Psalm 125 (MT 126).

This week’s troparion (apolytikion) and kontakion in tone five range from the foundational to the ineffable, as they focus on the nature of the God-Man. We are helped in understanding them by considering Psalm 117 LXX (118 Hebrew) and the consequences of the fall in Genesis 3.

This week we meditate upon the resurrectional hymns in tone three, rejoicing in our solidarity with the righteous of the Old Testament. God’s ancient people saw His mighty arm outstretched for them, understood themselves to be the first-born of the LORD, and were vouchsafed glimpses of the great release from Hades. We look especially to Deuteronomy, Isaiah and Wisdom for these insights.

Dr. Edith M. Humphrey returns after nearly a year to resume her blog and podcast on how the Old Testament illumines our reading of the New Testament and our worship. This week we consider the resurrectional hymns in the first tone (used the second Sunday after Pentecost), in the light of the OT, especially the prophet Hosea.

We consider the astonishing resurrectional hymns in the second tone, and understand their dramatic language in the light of the book of Job, the prophecy of Isaiah, and the Transfiguration narratives.

We consider the astonishing resurrectional hymns in the second tone, and understand their dramatic language in the light of the book of Job, the prophecy of Isaiah, and the Transfiguration narratives.