Academy of Ideas

This is a recording from the Academy of Ideas' Arts and Society Forum, held on Wednesday 17 May 2023.

English singer-songwriter Jack Hues discusses his varied musical career, key influences, inspirations and motivations – and shares his insights on how music is faring in our fast changing world and the culture war.

Hues’ musical career and influences straddle popular and classical genres, from the Beatles and Jimi Hendrix to Stravinsky, Beethoven and beyond. Having studied music at Goldsmiths and the Royal Academy of Music, and then launching his career in the late 1970s, as frontman of New Wave band Wang Chung, Hues enjoyed chart success in Britain, Europe and especially the US. He has never stopped creating music.

After several years of touring Wang Chung during the 1980s, Hues moved onto creating solo pieces including a number of film scores in the 1990s. In the early 2000s, he co-founded the jazz-influenced The Quartet, which released two albums, both to critical acclaim.

Between 2020 – 2022, he released two solo albums, Primitif and Electro-Acoustic Works 20:20 and most recently a double live album with members of The Quartet, rock band Syd Artrhur and free jazz exponents Led Bib entitled “Epigonal Quark”, all receiving warm critical acclaim. He has also taught songwriting at Christ Church University in Canterbury.

Music fan and democracy campaigner, Niall Crowley, explores a wide range of issues with Jack Hues, including how the music industry is evolving under changing political and social pressures; innovation, radicalism and conservatism in music; whether now is a good or bad time for music and budding musicians; and what is happening to music education.

In this episode of the Podcast of Ideas, Jacob Reynolds talks to one of the students who was at the centre of the controversy surrounding Claire Fox's cancellation at Royal Holloway University, Omar Loubak. Omar was an organiser at the Debating Society, and has a unique insight into how these kinds of cancellations proceed on campus. Listen for an episode of Podcast of Ideas where he and Jacob discuss the case.

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On 13 March 2023, the Arts & Society Forum invited Miriam Elia and Manick Govinda to discuss how Miriam develops her ideas as an artist and how she has managed to make a success of her art, in a competitive and sometimes hostile world. They covered broader issues, including what it means to challenge contemporary orthodoxies and ‘groupthink’, and how artists can survive the culture wars.

Miriam is a conceptual artist, whose diverse work includes short films, animations, illustrated books, prints, drawings and surreal radio writing. She is best known for her art books – including We Go To The Gallery, in which the classic Peter and Jane Ladybird book characters grapple with conceptual art, and We Do Lockdown, where children are forcibly adapted to the ‘new normal’, where a joyless existence is heroically embraced to save humanity.

Manick Govinda is co-curator of Culture Tensions debates at Ujazdowski Castle Centre for Contemporary Art in Warsaw, Poland. In a long and successful career as an arts consultant, mentor and curator, he has been an outspoken defender of freedom of expression and critic in the culture war. Manick is curating Miriam’s solo exhibition at Ujazdowski Castle, launching on 24 March.

BBC Match of the Day presenter Gary Lineker sparked an enormous row last week after a tweet comparing the government’s language around illegal immigration to 1930s Germany. After he was taken off air, many of his colleagues downed tools in support.

While Lineker may have made up with BBC management for now, the affair has thrown up lots of questions. Should we take Lineker’s comparison seriously? What does the affair say about the current state of free speech in the UK? Are his defenders being opportunistic in defending his right to express his opinions? Is calling for someone you disagree to be ‘cancelled’ ever a legitimate tactic? Is impartiality something worth striving for – and is it even possible? And what have we learned about the way political debate is conducted today?

Alastair Donald, Claire Fox, Ella Whelan and Rob Lyons kick some ideas around.

With Sue Gray and Simon Case in the news amid long-running complaints about the effectiveness and impartiality of the government machine, this Battle of Ideas festival 2022 debate seems very topical.

SPEAKERS

Nick Busvine OBE

Caroline Ffiske

Eric Kaufmann

Max Wind-Cowie

Recording of the Academy of Ideas Education Forum discussion at Accent Study Centre, London on 28 February 2023

INTRODUCTION

So how widespread is support for the strikes among educators and public, and does public support matter? Some who have traditionally supported the right to strike argue that now is not the time, and that closing schools so soon after the Covid lockdowns, which disrupted education for months and continue to have knock-on effects, is irresponsible.

How do we balance the idea of vocation and public service with the right of teachers to a decent wage and conditions? Would striking during GCSE and A-Level exams, for example, be unacceptable disruption or is causing disruption necessary if workers want to stand up for their rights?

Is a 12% pay claim “fantastical” as government claim or, in a context of more than a decade of longer hours, high inflation and real terms pay cuts, utterly deserved and necessary? With the government’s anti-strike bill moving closer to law, are restrictions on the right of teachers to withdraw their labour justified by the circumstances or do they represent an opportunistic attack on civil liberties?

Join us for this roundtable discussion as we bring together teachers for and against the strike and those undecided, as we explore what it means to be a teacher today.

SPEAKERS

Gareth Sturdy

Gregor Claude

CHAIR

Alastair Donald and Rob Lyons from the Academy of Ideas are joined by barrister Steven Barrett, Baroness Hoey and Lord Moylan to unpick the Windsor Framework.

Recording of the Academy of Ideas Economy Forum discussion on Tuesday 21 February 2023. Please note that this event was recorded via Zoom and there are occasional, short-lived issues with the audio.

INTRODUCTION

Statistics for employment and earnings published by the Office for National Statistics (ONS) for September to November 2022 show that unemployment remains low (3.7 per cent) while the proportion of people aged 16 to 64 in employment continues to hover around 75 per cent. But the number of people defined as ‘economically inactive’ – not working or seeking work – in this age group grew markedly over the course of the Covid pandemic and in its aftermath. Meanwhile, job vacancies for October to December 2022 remained well over one million, although the vacancy rate has started to decline.

As the Spectator noted in November 2022, ‘more than 20 per cent of working-age Brits are economically inactive, meaning they are neither in work nor looking for it. More than five million are claiming out-of-work benefits.’ Yet this exists alongside widespread staff shortages.

Meanwhile, unprecedented numbers of doctors, nurses and teachers are threatening to leave their jobs due to burnout. Although the unions lay the blame for this on low pay and poor working conditions, it co-exists with an oft-remarked decline in the quality of public service.

Is this a temporary phenomenon that will subside as the impact of the pandemic fades or an acceleration of existing trends? Have many people used the lockdowns as a moment to reflect about their attitude to work – and decided that if they can afford not to work, they won’t? What impact will rising living costs have on these trends? What is the impact on the UK economy of having so many working-age people not working?

SPEAKER

One year on from the Russian invasion of Ukraine, Professor Frank Furedi talks to Rob Lyons about where things stand today, the causes of the conflict and the potential for peace.

This is a recording of a public discussion hosted by the Academy of Ideas Arts & Society Forum on 24 January 2023.

Arts institutions shape themselves and their policies around promoting social good, and have accepted a political agenda around climate change and identity politics. They want to be seen to be on the ‘right side’ of progress, but have they become overly instrumentalist and constraining in their approach? What harm are they doing to the development of the arts and artists?

Now it appears that the arts are responding not just to the equity, diversity and inclusion (EDI) agenda, but also to the government’s levelling up policy. Under pressure to take funding outside London, controversial recent Arts Council plans threaten English National Opera with closure unless it relocates to the north.

Yet it seems that progressive arts polices have largely failed. Recent research shows that while a few women and BAME people are now more likely to achieve higher status professional roles than in the past, there are fewer people from working class backgrounds involved in the arts than in the 1970s.

How can we argue for a renewed discussion about artistic merit? What remains of the idea of art as a source and expression of beauty? Contemporary arts now often seem to be judged primarily on the basis of who they represent and their political message, on what ‘good’ they might do in society. In theatre, music and visual arts, artists and artistic projects run the risk of crossing a line if they are not politically and socially ‘on message’. And is instrumentalism (political and social) now embedded in the way most people, perhaps particularly younger generations, think about the arts? What kind of arts institutions do we need?

SPEAKERS

Dr Mo Lovatt

Jack Hues