Ad Age Insider

Hyperlocal news has had a rough, ahem, patch in recent years. Undone by Craigslist and Facebook and Google, among others, local news sites have struggled to stay afloat. The end of 2017 alone saw the shuttering of both Gothamist and DNAInfo. Patch CEO and executive editor Warren St. John joins Ad Lib this week to tell us what's going on at Patch. Among his many accomplishments as a writer and reporter for the New York Times and others, St. John also happens to be the guy who popularized the term "metrosexual" in 2005. Today he shares what he's been up to as a CEO and how he hopes to make hyperlocal work where others have stumbled.

Synonymous with powerful, rich and usually white male entrepreneurs, Forbes is, like many media companies, being forced to evolve. Randall Lane took over as editor of the 101-year-old publisher in December of 2017, after Lewis D'Vorkin went on to run the LA Times newsroom — leaving behind a large pair of wingtips. Under D'Vorkin, Forbes grew its army of contributors in a bid for scale and led the native advertising charge with its Brand Voice program. Lane joins Ad Lib today to help us get a handle on what Forbes is today — how it plans to expand its custom content offerings, dig into new "microbeats" and attract a younger set of readers.

March Madness is well underway and if you're a sports fan of a certain age, chances are you're tracking your decimated bracket on Bleacher Report. Bleacher Report CEO Dave Finocchio joins us on this episode of Ad Lib to discuss its distributed approach to publishing, what makes Bleacher Report connect with younger audiences in an oversaturated sports market — and how it's been working with Turner Broadcasting, which acquired Bleacher Report in 2012 for a reported $175 to $200 million.

It's been five years since Troy Young came to Hearst to build out the magazine company's digital division. Today as the global president of digital for a media empire that includes Cosmopolitan, Esquire, Elle, Good Housekeeping, Town & Country – the list goes on – Young is redefining what it means to be in a 130-year-old publisher with its roots in print.

In this episode of Ad Lib, Sarah Hofstetter, the global CEO of full-service digital-first agency 360i, discusses the agency's new Amazon practice, the future of voice, the best kosher restaurants in Cannes and more. (She also admits to a few regrets about a certain Oreo Super Bowl tweet.)

Last month, a subset of the media world snapped to attention when Jarrod Dicker left the Post, where he built out a lot of pioneering proprietary tech for the company, to become the CEO of something called Po.et, which bills itself as "an open, universal, and immutable ledger for managing the ownership and licensing of the world's creative works." It runs on blockchain, and today Dicker will explain what it is -- and how he hopes to upend the media business model as we know it.

Chas Edwards is a co-founder and publisher of both Pop-Up magazine—a roving circus that brings magazine journalism to life in staged events—and the print publication it spawned, California Sunday Magazine. Taken together, the two represent a new kind of media company. Edwards breaks down of what it all is, how its evolved and how its unique business model is helping the publisher thrive.

You may know Aardman Animation as the creative force behind Wallace and Gromit, "Shaun the Sheep" and "Chicken Run." This weekend its seventh feature film, "Early Man" comes to our shores. But the recognizably Aardman characters the studio is well known–and beloved–for, only comprise 5 percent of its branded content output. Heather Wright fills us in on the other 95 percent. An executive producer and head of partner content at the studio, Wright works with brands on storytelling in a wide array of media, not just animation – but AR and VR for clients including Google and the BBC.

There's a lot of talk in the marketing and advertising industries about diversity — but not a ton of walking. Antonio Lucio is one of the walkers. Lucio talks about his diversity drive on today's podcast and also breaks down his view of the state of marketing in 2018. Along the way, he shares a little of his own personal journey, how his childhood in Spain and Puerto Rico shaped who he is today, and why a diagnosis of depression changed him.

Bryan Buckley has nearly 60 Super Bowl credits to his name, directing spots for a bevy of brands ranging from Monster.com and Cash4Gold to Coca-Cola and Bud Light. In this podcast, Buckley discusses what it's like working with high-profile celebrities like Alec Baldwin and Martin Scorcese, the Super Bowl ad he wishes he made and his most recent Super Bowl efforts for Febreze.