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Brooke and Amanda's plot to depose Alison gets a convenient boost when a rep for D&D's latest very important client happens to have a connection to Brooke's father: she's able to leverage what she knows about his past to manipulate Alison into pitching a concept that will, shall we say, not land. Meanwhile, Amanda is ALSO being set upon constantly by Michael, trying to talk her into seeing him again with compliments, begging, threats, and pasta. Kimberly has decided to change her situation by enrolling in an intensive program called No More Victims, which aims to teach her and her fellow boot campers how to regain control of their lives and learn to assert themselves. (We're not sure Kimberly's problem is that she was insufficiently assertive, but...sure!) Sydney approaches Jane with an offer to save the design firm with Sydney's ill-gotten insurance-settlement gains, and Jane is so desperate that she accepts, even on extremely unfavorable terms. And the more Jo tries to resist Jess's advances, the closer he gets. You may find it impossible to resist our podcast on "Melrose Impossible"!
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Michael's having a perfectly pleasant evening at home waiting for his wife to hurry up and die already when Sydney unexpectedly shows up and foils his plan. He's so distracted pretending to try to revive Kimberly that he doesn't notice Sydney stealing the suicide note for future blackmail purposes! Once Kimberly is conscious again, Sydney tells her about the scene she walked up on, but Kimberly denies she was trying to die by suicide: she says Michael poisoned her, and that if Sydney will help her plant evidence to that effect and also destroy her note, she'll give Sydney half the insurance settlement. When the cops show up and don't find the suicide note in their search of the beach house, Michael figures out who probably has it. Whom will Sydney be loyal to! Oh yeah: in the midst of all this, Michael also proposes to Amanda. It doesn't go great. Speaking of Amanda: she gets Billy to ask Alison to give her a job at D&D, and it works! Amanda returns with a great attitude even in a position MUCH more junior than the one she formerly held, but also sets about undermining Alison with the help of her secret accomplice, Brooke. Of course, Amanda could probably just wait for Alison to screw things up on her own, as she is busily doing with Billy and...whatever their relationship is now. Jess's attempts to worm his way back into Jake's life (or possibly take it over) get a big boost when someone leaves their credit card at Shooters. Jess then gets to use it to be a big man paying for dinner out for him, Jake, and Jo, but Jake knows just enough about Jess's financial history to be suspicious about how Jess got a credit card. Will Jo's empathy for Jess draw her closer, and leave Jake on the outside of their relationship? Hear all about it in our podcast on "All About Brooke"!
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As Amanda battles back to consciousness, Michael's got his own fights: Kimberly reveals that she's returned early from Minnesota, she doesn't buy his stories about why Amanda's lingerie is all over the beach house, and he is officially on notice. This just convinces him to accelerate his exit plans, but then Kimberly runs into the city's insurance guy at the hospital before Michael does and takes possession of that big settlement check, forcing Michael to make nice. Meanwhile, Alison continues being a bitch to everyone at D&D except Brooke. And why not -- Brooke is actually useful, offering her dad's palatial estate as a photo shoot location when another one falls through. Having Billy on her literal home turf causes Brooke to escalate her mind games with him, flirting super-hard just before her fiancé shows up. Surprise! Brooke later ends up at the hospital when Billy goes to visit Amanda, and Amanda makes a note. After making peace with Jake, Jess decides to test it by showing up in L.A. unannounced and manipulating Jake into giving him a job and letting Jess crash at his place. Sydney threatens Jess with exposure when she catches him rifling through the files in Jake's office, but it seems as though the Hanson brothers' family ties are going to be too strong for her to break...at least for now. We hope you're LIVING for our podcast on "To Live & Die In Malibu"!
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The members of D&D's board of directors have taken notice of Amanda's increasing number of absences, and they've decided on a course of action: canning her and installing Alison in her place. It takes less than a day for Alison to learn that part of what made Amanda so surly in the role was the demands of the job. Desperate not to run into Alison, Amanda begs Michael to get her out of the complex, so he sends Kimberly to Minnesota to interview for a job at the Mayo Clinic so that Amanda can stay at the beach house in her absence. At the same time, Michael's also running a scam on the city, claiming the car accident five million episodes ago was caused by dangerous road conditions. He's close to a settlement, but Kimberly knows nothing about the lawsuit and is signing a bunch of papers he hands her without reading them because, apparently, she's forgotten...everything about her husband. Jake gets a call from an old friend in Washington State: Jake's mother has died, and he's stressed about going back and facing the older half-brother he's never mentioned -- including never in the entire time he was dating Jo, apparently. But she offers to go with him to lend moral support, and he's going to need it, because Jess (Dan Cortese!) has a big chip on his shoulder about Jake moving away and wants to make sure Jake knows at every possible opportunity. Get out your notebooks: class is in session with our podcast on "Love And Death 101"!
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Visual Aids S03.E23
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Amanda and Michael are back from New York and navigating their new circumstances. Kimberly tells Michael she knows he and Amanda shared a room. Amanda doesn't think their dalliance should get in the way of her treatment. And yet...this guy does enough fancy footwork to get himself and Amanda to a resort in Santa Barbara AND Kimberly's sign-off. Amanda leaves Alison in charge of submitting D&D's paperwork to the Century Advertising Awards, and even okays Alison to "let it slip" that Amanda may be dying, just in case that shifts any votes her way. But when Alison gets there, she meets the charming coordinator, Brooke Armstrong (Kristin Davis!), who easily talks Alison into submitting her own account against Amanda's in the same category. Having tried and failed to talk Jane out of dating Jake, Sydney manufactures a situation at a rough bar from which Jake will be forced to extricate her. But will this succeed in pushing them closer together? You can't lose by listening to our podcast on "And The Winner Is..."!
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Visual Aids S03.E22
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Support AWT On Patreon
Thank you to all our supporters! You can support the podcast directly on Patreon and get access to bonus episodes of “Again With Again With This” as a thank you from us! Check out AWT’s Patreon page today.
Support AWT With A Personal Message
Wish your friend a happy birthday or just call them a squeef with a AWT Personal Message. It's $50 and helps keep us going. Start on our ad page now!
Buy our book
"A Very Special 90210 Book" (Abrams, $24.99) can be yours RIGHT NOW! Here’s ordering info via our publisher, Abrams or find it anywhere else books are sold!
Hosted on Acast. See acast.com/privacy for more information.
JOIN THE AWT CLUB
🌴 Access to 'Again With Again With This' bonus episodes
💬 Access to the AWT Discord
🚫 Ad free episodes
👯♀️ High rollers get access to 'Again With Them,' our monthly digest of Tori and Jennie's 9021OMG podcast
NOTES
🗒 Full episode notes can be found on this episode's page on AgainWithThisPodcast.com
🖼️ Check out this episode's Visual Aids
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