For the past ten or so years, indie magazines have been booming. As digital media platforms relentlessly chase clicks and smartphones paralyze our focus, a host of fresh print publications are taking a slower and more measured approach.

Guided by the tenets of the “slow media” movement, this new breed of publishers focuses on correcting the pace of media creation and consumption in the digital age. They advocate for alternative ways of making and using media that are more intentional, longer lasting, better written and designed, more ethical—all delivered in a tactile, bespoke package.

In this episode, you’re going to encounter magazine brands you’ve never heard of: Avaunt, Flaneur, Mondial, Monocle, and Port—and, one of the great success stories of the indie boom, Kinfolk. Born in Portland, Oregon, in the early 20-teens with the tagline, “A Guide for Small Gatherings,” the magazine was often referred to, dismissively, as “Martha Stewart for millennials.”

But, in recent years, Kinfolk, like its millennial stans, has grown up. The mag moved its offices to Copenhagen. They created a clothing brand, licensed local editions in South Korea, China, Japan, and Russia, published a series of coffee table books, and, in the ultimate act of adulting, launched a magazine for “people with kids.”

But one of the best moves they made was hiring today’s guest, the incredibly talented British designer, Alex Hunting.

Intentional or not, Hunting is a practitioner of slow design. His instinct for space allocation and pacing eliminates those outdated, overwhelming TL;DR sections. His stunning magazine pages are subtle, spare, and expertly crafted. Perfect for indie magazines, which is good, because that’s pretty much all he does.

We’ll talk to Alex about why, at age 35, he’s so bullish on print, why his university experience didn’t go as planned, and how a pair of mentors literally changed his life.

And, if all of this bores you, well, there’s plenty of talk about houseplants.

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