Up Close with Carlos Tseng

Alex Young: Re-Creating Musical Theatre Classics


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Despite a mixed reception over the years, Southwark Playhouse is currently reviving Stephen Sondheim's early classic Anyone Can Whistle. The show which has light discussions of faith in miracles, corruption and mental illness has seen the likes of Angela Lansbury, Bernadette Peters and Rosalie Craig take on key roles in the show's history. In this final episode of the season, we are joined by Mayoress Cora Hoover Hooper herself: Alex Young. Here, we are treated listening to Alex's experience returning to Southwark Playhouse after playing in Promises, Promises and workshopping The A-Z of Mrs P.  After also starring in the National Theatre's revival of Follies, Alex Young also takes time to talk about the enduring legacy of Stephen Sondheim and why his work will continue to live through the years.

Over recent years, Alex Young has helped recreate some iconic roles in the musical theatre cannon including Nellie Furbish in South Pacific, Amalia in She Loves Me and Sarah Brown in Guys & Dolls. During this time, Alex has firmly established herself as one of the most exciting leading ladies working on Britain's stages today, taking on leading roles in the West End, Chichester and of course Sheffield Crucible where she has starred in 6 different productions. Today as Mayoress Hoover, Alex is still continuing to receive praise from audiences for her energetic performance as deliciously wicked politician with an equally delicious soprano. In this interview, we hear her reflect over the success of her career in recent years and what it's been like working alongside a new generation of talents in this revival Anyone Can Whistle. We should expect to see Alex Young's name pop up on more theatre posters moving forwards and we hope you enjoy listening along to our conversation.

Anyone Can Whistle is currently running until 7 May 2022 and tickets are available here: https://www.southwarkplayhouse.co.uk/show-homepage/anyone-can-whistle/

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Up Close with Carlos TsengBy Carlos Tseng

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