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Ahead of the launch of the Welsh National Theatre, BAFTA Cymru award-winning actress Nia Roberts sat down with us for a wide-ranging conversation. Nia is widely recognised for her breakthrough in the Academy Award-nominated Solomon & Gaenor and for her haunting performances in Hidden and The Feast. In the inaugural production from Welsh National Theatre, she portrays Mrs. Webb in a brand new reimagining of Thornton Wilder’s Our Town. The staging features an all-Welsh cast and creative team for the first time in the play's history. It explores the universalities of life and community through a distinctly Celtic lens, rooted in the concept of Hiraeth.

In this brand new interview, Nia Roberts tells us about the importance of sharing Welsh stories. Conversations span from her early days with the National Youth Theatre of Wales to her recent acclaimed role in Tree on a Hill. Roberts offers critical insights into the necessity of a dedicated national stage and the preservation of Welsh-language narratives. The dialogue also addresses the technical demands of minimalist theatre and her outlook on the industry today. It concludes with a forward-looking analysis of the future for Welsh storytelling on the global stage.

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Louis Gaunt has solidified his reputation as one of the most charismatic and technically gifted triple-threat performers in the musical theatre today. After earning a Stage Debut Award for his breakout performance as Will Parker in Oklahoma!, he's earned further acclaim for his roles as Bert in Mary Poppins and more recently in the role of Tommy in Brigadoon. His latest role sees him returning to the Royal Exchange Theatre in Manchester to play Don Lockwood in a five star rated production of Singin in the Rain. The show also sees him reuniting with Danny Collins and Carly Mercedes Dyer who he worked with on Sweet Charity at Nottingham Playhouse. 

In this brand new interview with Louis Gaunt, we reflect on his recent successes as one of the industry's most exciting leading men. Here, Louis provides candid insights into the physical rigors of performing in Singin in the Rain —including the nightly challenge of performing the iconic title number under 14,000 litres of water—and the artistic responsibility of bringing the Golden Age of Hollywood to a modern audience. Since the production opened in Manchester, his performance has been hailed by critics and audiences as a masterclass in showmanship. We also talk about why this era of musical continues to resonate with audiences and what keeps drawing him to pieces like Brigadoon and Gypsy which demand so much him physically.

Singin in the Rain runs at Royal Exchange Theatre, Manchester until 25 January 2026.

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As Fred Woodley Evans prepares to return to the Jermyn Street Theatre for a high-stakes run in Lyle Kessler’s Orphans, he sat down with us to talk about this eagerly anticipated revival. A visceral drama exploring the raw edges of family and survival, this production marks a significant homecoming for Fred. After making waves in Outlying Islands at the start of 2025, his return is something audiences are very much looking forward to. Alongside Fred, he will be starring opposite Olivier Award winner Chris Walley and fellow Jermyn Street favourite Forbes Masson.

In this candid conversation, Fred reflects on the journey from his professional debut in Outlying Islands to the "Neverland magic" of his recent turn in Wendy and Peter Pan at the Barbican. We take a deep into his RADA days and his professional reunion with fellow actor Jonathan Rubin after graduating at Edinburgh Fringe. From the intensity of world-class training to the realities of navigating his first steps as a professional actor, this interview offers an insightful look into the rise of one of the most exciting young actors of his generation.

Orphans runs at Jermyn Street Theatre from 5 January - 24 January 2026 with tickets on sale now!

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As the RSC's Twelfth Night heads to the Barbican Theatre for a festive run, we are joined by veteran actor Norman Bowman. Known for seamlessly bridging the worlds of musicals and plays, Norman’s career has taken him from the West End to the Donmar Warehouse to the RSC. Hailing from Arbroath, his journey is one of continuous growth and reinvention, tackling everything from tap shoes to the complexities of Shakespearean verse. As he continues to play Antonio, he shares with us his experience working with actor / director / doctor Prassana Puwanarajah and also about welcoming in new actors such as Daniel Monks to the rehearsal room for the Barbican run.

In our interview with Norman Bowman, we discuss his return to the role of Antonio in the RSC's transfer of Twelfth Night to the Barbican. Having previously played Curio in a previous production, Norman tells us about his love for this show and the various characters within the world that Shakespeare has created. Having started off his career in musicals, we also talk about his recent turn as Archie in Regent's Park Open Air Theatre's landmark revival of Brigadoon. Throughout our conversation, Norman is humble about the longevity of his career which has taken him from the like of Les Miserables and Guys and Dolls to Twelfth Night which sees him reunite with Samuel West and Freema Agyeman following last year's acclaimed Stratford run.

Twelfth Night runs at Barbican Theatre until 17 January 2026

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Tom Glynn-Carney is one of the most dynamic and versatile actors working across stage and screen today. After earning an Evening Standard Award and Drama Desk Award for his role in The Ferryman, he has gone on to become a major figure in Westeros as Aegon II Targaryen in the acclaimed HBO series House of the Dragon. However, Glynn-Carney maintains a powerful connection to the theatre, having more recently won praise for his role in The Glass Menagerie opposite Amy Adams, sharing the role of Tom Wingfield with Paul Hilton . His latest stage venture sees him return to the London stage, joining a world-class ensemble for a major revival of Arthur Miller's All My Sons.

In this brand new interview with Tom Glynn-Carney, we discuss his pivotal and explosive role as George Deever in Ivo van Hove’s five-star rated production. Tom offers candid insights into collaborating with acting legends like Bryan Cranston and Marianne Jean-Baptiste, and the unique artistic challenge of bringing Miller’s devastating themes of war, morality, and the American Dream to life on the West End. Since the show opened, his performance has been hailed by critics as "stupendously well-acted" and vital to this "astonishing, deeply moving piece of theatre." 

All My Sons runs at Wyndham's Theatre until 7 March 2026 with tickets on sale NOW!

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Following her smash hit debut play Farm Hall, Katherine Moar is returning to Jermyn Street Theatre with her latest play: Ragdoll, based on the Patty Hearst trial. With just 4 actors, the play takes audiences to the centre of the celebrity, violence, and scandal of 1970s America. Focused on the power dynamics between "the heiress" and her lawyer Robert, the play also takes audiences to 2017 where Robert faces a trial of his own in the court of public opinion. We see stark parallels between events of today and that of the 1970s and Katherine Moar carefully crafts characters provide audiences with food for thought.

In this new interview, Katherine Moar talks to us about her experience of bringing her plays to the stage whilst also pursuing a PhD in History. We reflect on the success of Farm Hall  which transferred from Jermyn Street to a UK wide tour before playing in the West End. During our conversation, Katherine shares with us the challenges of being a new writer and shares her hopes that the theatre ecosystem would evolve to champion new writers into becoming established writers. It will be interesting to see if Ragdoll follows the same success as Farm Hall and we look forward to seeing more of Katherine's works being staged in the future.

Ragdoll runs at Jermyn Street Theatre until 15 November 2025.

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After graduating from RADA, James McArdle became a darling of the National Theatre appearing in landmark productions of Platonov, James I and Angels in America, all in a relatively short span of time. Since then, James McArdle has established himself as one of the most compelling actors on stage and screen. Now, he returns to the Olivier stage for the first time since 2019 for newly appointed Artistic Director Indhu Rubasingham's inaugural show: a new adaptation of Euripides' Bacchae by Nima Taleghani. In the show, James takes on the role of Pentheus in a show which has been radically revamped for modern audiences. Taleghani's version includes rap verses and a thumping beat which helps build the tension of the piece that leads viscerally into the ultimate tragedy of the piece.

In this brand new interview, James McArdle reflects on his numerous successes at the National Theatre and why it feels so fitting returning to the Olivier stage after a few years away. Indeed his last National Theatre project saw him taking on the title role in Peter Gynt, a thrilling update on Ibsen's original text where audiences saw James lead a 4 hour show with immense energy. Throughout our conversation, he also pays homage to Jonathan Kent who he describes as mentor who has helped shape him into the actor he is today. In our interview, we also touched on his critically acclaimed performances in Angels in America, Platonov and The Tragedy of Macbeth at the Almeida where he shares insights into his working relationship with Saoirse Ronan and also fight director Kate Waters who he reunited with on Bacchae. It's a fascinating conversation with one of the most exciting actors on stage and screen working today and it seems there's still more that we can look forward to.

Bacchae runs in the Olivier Theatre, National Theatre until Saturday 1st November 2025.

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After a triumphant run at Nottingham Playhouse and at the Young Vic, Alec Boaden is returning to 'Punch' for it's West End run at the Apollo Theatre. In the show, Alec multi-roles several characters opposite a cast that includes Julie Hesmondhalgh, Tony Hirst and David Shields as Jacob Dunne. The show tells the extraordinary true story of Jacob Dunne, a regular lad from Nottingham whose impulsive punch led to fatal consequences. When he leaves prison, Jacob meets with Joan and David – the parents of his victim James – a meeting that would profoundly change both of them. Since the show premiered, Jacob's story has rippled worldwide with audiences deeply touched by his successful rehabilitation.

In this brand new interview with Alec Boaden, he tells us about his journey from Television Workshop to training at one of the world's leading drama schools to making his professional stage debut in a five-star rated James Graham play. We hear him talk about his affection for his Nottingham roots and how that's shaped him into the actor he is today. During our conversation, he also reveals that he'll be understudying David Shields in the lead role. After concluding Punch's run at the Young Vic, Alec took on the role of Jude in Regent's Park Open Air Theatre's revival of Noughts & Crosses, an adaptation of Malorie Blackman's bestselling novel. Alec won praise from critics and audiences for his dark portrayal of one of the show's central characters and he tells us about the important responsibility of humanising these darker characters. It's an endearing conversation where he also shares his love for his class at Guildhall as he also tells us about his hopes for his career moving forwards.

Punch runs at the Apollo Theatre, London from 22 October - 29 November with tickets on sale NOW!

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After earning an Ian Charleson Award nomination for her Hermia in the Bridge Theatre's A Midsummer Night's Dream, Isis Hainsworth has continued to take on some of Shakespeare's best loved roles and is now preparing to take on the role of Isabella in Measure For Measure for the Royal Shakespeare Company. Here Isis will be making her RSC debut where she's set to star alongside a stellar cast that includes the likes of Tom Mothersdale, Oli Higginson and Emily Benjamin. The production will also see rising star director Emily Burns return to the RSC following her five-star rated Love's Labour's Lost last year also at the Royal Shakespeare Theatre. As a lesser-performed Shakespeare play, this is set to be a must-see show of the season with the RSC continuing it's latest season of shows. 

In this new interview, Isis Hainsworth opens up about her humble beginnings as an actress to being named a Screen International Star of Tomorrow in 2022. As she continues rehearsals for Measure For Measure, we hear her talk about her love for acting and the joy of returning to the theatre following her recent widely acclaimed performances in Romeo and Juliet and The House of Bernada Alba, both directed by Rebecca Frecknall. Indeed, we hear Isis speak affectionately about the directors she's gotten to work with and she highlights her admiration for Emily Burns for taking a bold approach to Measure For Measure, stripping parts of the text back whilst remaining faithful to the story. It's an endearing conversation throughout and it seems Isis is unlikely stop anytime soon as she continues to charm audiences and peers alike.

Measure For Measure runs at the Royal Shakespeare Theatre from 13 September - 25 October with tickets on sale now!

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For over 20 years, Samuel Barnett has established himself as one of the most compelling actors on the UK stage. His latest role sees him multi-roling over 15 characters in Caroline Bird's 'The Last Stand of Mrs Mary Whitehouse'. The role sees him making his Nottingham Playhouse debut where he will act opposite Maxine Peake in the title role. The new play reintroduces Mary Whitehouse to audiences, exploring her campaign to uphold British conservatism as well as the root of her controversial beliefs.

In this new interview, Samuel Barnett talks about his real life memories of Mary Whitehouse and why he felt this play felt particularly relevant today. Over the course of our conversation, he looks back on some of his most memorable performances including playing 2 of Shakespeare’s women as well as of course originating the role of Posner in ‘The History Boys’. We hear him talk about his love for acting as he shares with us his excitement at making his Nottingham Playhouse debut, insights into his relationship with Artistic Director Adam Penford and more!

The Last Stand of Mrs Mary Whitehouse runs at Nottingham Playhouse from 5 September - 27 September.

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