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As rehearsals continue for her highly anticipated Chichester Festival Theatre debut in Nina Segal’s Antigone Exits, Nina Cassells sat down with us for a deep, insightful conversation on her craft. Under the direction of Jeff James, Nina unpacks the visceral experience of bringing Sophocles' iconic heroine into a modern political sphere, exploring how she and the company are shaping the collective energy of the Chorus and navigating the intimate spatial mechanics of Chichester’s Minerva Theatre.

In our interview with Nina Cassells, we looked back at her training at Guildhall School of Music and Drama, recalling her captivating, emotionally charged turn in the title role of Lorca's Yerma. Since gradutating, Nina's taken on various defiant young women carving out autonomy against rigid social structures—from her raw, high-voltage performance as Zainab in Julia Grogan's Playfight at Soho Theatre alongside her Guildhall peer Sophie Cox, to her sparkling Pauline Fossil in Kendall Feaver's Ballet Shoes at the National Theatre. We also discussed her fierce Hermia in the Bridge Theatre's production of A Midsummer Night's Dream that brought audiences closer than ever to the enchanted forest. Now taking on the role of Antigone, Nina continues to blaze as a rising star in the industry.

Antigone Exits runs at Minerva Theatre from 26 September - 17 October.

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As he continues his run as part of the 40th anniversary cast of Phantom of the Opera in the West End, Joseph Millson sat down to delve into the realities of the uncertain landscape of the acting industry, unpacking the profound highs and inevitable lulls of the profession. Having won a WhatsOnStage Awarad as Raoul in Love Never Dies, we hear him talk about the joy of reuniting with Sierra Boggess for Andrew Lloyd Webber's beloved musical's anniversary. During our conversation, he poignantly reflects on a life that has seen him acting on stage and screen, writing books and even directing feature film: Signs of Life. Our conversation explored his deeply personal life choices and the ongoing challenge of maintaining authenticity and "play" amid the rigorous demands of the business.

In this new interview, Joseph Millson offers an introspective look at a career that has established him as a true veteran of the industry. Last year, he starred in one of the most acclaimed shows of 2025: The Forsyte Saga taking on the role of Soames having previously voiced the role in a radio adaptation. The show saw him return to the Swan Theatre, a place where he feels particularly at home having played numerous roles on the stage where in fact he is also an Associate Artist of the Royal Shakespeare Company. Joseph also tells us about the inspiration behind Miller Rose Roberts, a highly praised novella that has been described by readers as a real highlight. After publishing his first memoir: Work and Other Four Letter Words, he also tells us about an in the works sequel which promises to be as honest and funny as his first book.

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As Game of Thrones: The Mad King continues its 5* rated run at the RSC, Noah Ritter sat down with us to reflect on his early career success. Fresh off his professional stage debut portraying John Lennon in Please Please Me at the Kiln Theatre, Noah discusses the art of stepping into the world of Westeros as a character that's largely existed as a myth in the books and TV series. We also explore his transition from graduating from Royal Welsh College of Music & Drama (RWCMD) to working on high profile projects. We also hear him unpack his actor-director relationship with Dominic Cooke and how they worked together to ground a legendary figure like Rhaegar Targaryen in this epic piece of theatre. 

In a special new interview, Noah Ritter offers a candid look into his beginnings as an emerging talent in the industry. As the acting landscape continues to evolve and become as competitive as ever, he tells us about early wins - landing an agent early on and getting to do filming work before being given the opportunity to play John Lennon. We hear him reflect on the experience building a strong chemistry with Calam Lynch's Brian Epstein before arriving in Stratford upon Avon to play Rhaegar Targaryen in his RSC debut. It is a thoughtful, insightful conversation with an exciting young talent forging his own distinct path across British stage and screen.

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Ahead of her highly anticipated run at Regent’s Park Open Air Theatre, Millie O'Connell sat down to discuss her role as Demeter in Drew McOnie's radical, gritty reimagining of Cats. As an artist known for her high-voltage presence on stage, Millie gives us an unfiltered look into what it really takes to strip away forty years of theatrical tradition, trading nostalgia for a grounded aesthetic that frames the Jellicle tribe as London’s strays and rebels. We hear her reflect on the delicate art of unearthing fragments of vulnerability within McOnie's rigorous and emotionally exposed choreography. Our conversation explores the physical and psychological realities of performing outdoors under an actual night sky, unpacking the energy exchange between actor and audience while navigating the unpredictable elements of an open-air amphitheatre.

In this brand new interview, Millie O'Connell offers an introspective look at a powerhouse career that has seen her move seamlessly from Anne Boleyn in SIX to Cookie in Come Fall in Love. We talk about how her affinity for portraying fierce, complex women in iconic shows like Rent and The Cher Show has shaped her artistic identity, as well as the personal resilience required to navigate a career in musical theatre. Indeed, we also delve into the profound importance of community, reflecting on positive structural shifts in the industry in recent years. It seems like the perfect time for Millie and Demeter to come together and audiences should come expecting Cats unlike they've ever seen before in the magical and jellicle setting of Regent's Park.

Cats runs at Regent's Park Open Air Theatre from 25 July - 19 September with a UK tour to follow.

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After a string of recent successes, Pearl Chanda is gearing up for her return to the Almeida Theatre in Rebecca Frecknall’s summer revival of Sarah Kane’s Cleansed. Fresh off an incredibly brooding, restrained turn in Hedda to navigating trauma-induced paralysis in Arthur Miller’s Broken Glass at the Young Vic, Pearl gives us an unfiltered look into what it really takes to inhabit Kane's nightmarish world. Having described her time performing Sarah Kane's Crave at the Sheffield Crucible as like "going to war," she breaks down why the themes of the show resonate with her so deeply and why her work is more important than ever. Pearl also gives us an insight into her working relationship with Rebecca Frecknall and why the Almeida Theatre continues to draw in such a loyal audience.

In our new interview with Pearl Chanda, we hear her talk about taking on roles like Hedda Gabler as well as the likes of Mae in Cat on a Hot Tin Roof and Stephanie Rahn in Ink. Amidst her booming screen career in hit projects like I May Destroy You, See How They Run, and Mary & George, Pearl explains why she keeps returning to the wonderful and terrifying world of theatre. She tells us about her love for working with great actors and with great directors, experiences that still happens a lot in the theatre world. As she prepares to open Cleansed, she tells us about the excitement around tackling on a historically challenging piece that she hopes will still have the same potency as it did when the show first opened at the Royal Court Theatre.

Cleansed runs at Almeida Theatre on 21 July - 29 August.

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Ahead of her highly anticipated London stage debut at the Marylebone Theatre, Academy Award and Golden Globe-winning actor Christine Lahti sat down for a profoundly intimate conversation with us. In her new solo play, The Smile of Her, she strips away the immaculate veneer of 1950s American suburban mythology to confront the suffocating "silences" of her childhood. We explore the psychological architecture of bringing such an achingly personal piece across the Atlantic—treating the play’s titular "smile" not merely as a coping mechanism, but as a weapon of survival and a dramatic puzzle waiting to be unlocked on stage.

In a very special interview, Christine Lahti reflects on her evolution from pioneering modern television drama in Chicago Hope to making her way onto the Marylebone Theatre stage. Christine opens up about the dark moments of her childhood and aggressive patriarchy that still haunts her today. Indeed, she tells us about the internalised misogyny that she's still confronting today. Our conversation captures a legendary artist refusing to let Hollywood or history edit her past as she finally reclaims authorship over her own life.

The Smile of Her runs at Marylebone Theatre from 10th July - 29th August 2026.

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As Rajiv Joseph's Archduke prepares to open at the Royal Court Theatre, Olivier Award winner Chris Walley sat down with us for an intimate discussion on his craft and his upcoming return to the stage. The show looks at key events and the lives of those involved in the assassination of Archduke Franz Ferdinand. We hear Chris talk about the biting humour in Rajiv Joseph's script and the vigour required working in Lyndsey Turner's rehearsal room. Indeed, the upcoming production assembles together a top tier cast and creative team that includes legendary designer Es Devlin, costumes from Evie Gurney and actors Janice Connolly and Marc Wooton.

In this new interview with Chris Walley, we hear him talk about his love for theatre and performing on stage. We hear him reflect on his recent stage successes such as Orphans - a play he'd been yearning to do since his teenage years. Indeed his recent stage ventures has seen him star in some of the most memorable productions of recent years including Juno and the Paycock opposite Mark Rylance and of course the towering Portia Coughlan at the Almeida Theatre, starring opposite Alison Oliver. It's a fascinating insight into one of the most exciting actors on the theatre scene right now and it will be fascinating to see what Chris Walley does next in the years to come.

Archduke runs at Royal Court Theatre from 20 June - 25 July.

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Ahead of her highly anticipated return to the Kiln Theatre following her debut at the RSC’s The Other Place, the indomitable Ellen Thomas sat down with us to discuss her powerhouse role as Pearl in the world premiere of Martina Laird’s Driftwood. Ellen delves into the psychological weight and socio-political gravity of portraying a fierce matriarch running a downtown gentlemen’s club on the precipice of Trinidadian independence. We hear her reflect on the delicate art of unearthing fragments of vulnerability within Justin Audibert’s atmospheric direction. Our conversation explores her process of physical and linguistic discovery in the rehearsal room, unpacking how the specific cadences of 1950s Trinidadian English serve as vital tools of resistance, identity, and raw survival in a shifting world.

In this captivating new interview, Ellen Thomas offers an introspective look at a legendary career that masterfully bridges the worlds of television mechanics and rigorous stagecraft. We also revisit her recent, triumphant turn on the very same Kiln stage in Zadie Smith’s The Wife of Willesden, which also gave her an opportunity to showcase her ability to play strong, powerful and complex women. What follows is a warm and personal exploration of a powerful actress reflecting on her deep structural history with the Kiln, the changing landscape of British co-productions, and the enduring magic of theatre that dares to challenge who holds power.

Driftwood runs at Kiln Theatre from 4 June - 4 July.

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After nearly a decade since her West End debut in Les Miserables, Amara Okereke has solidified her standing as one of the most exciting performers of her generation. Now making her RSC debut, Amara sat down with us to talk about taking on the role of Ariel opposite Kenneth Branagh's Prospero in Sir Richard Eyre's new production of The Tempest.  Having already played some of the UK's most prestigious and largest stages including the London Coliseum, Sheffield Crucible and Chichester Festival Theatre, Amara tells us about adapting to playing larger houses as she prepares to tackle the Royal Shakespeare Theatre.

In this new interview with Amara Okereke, we talk about her transition from musical theatre to straight plays and her ongoing evolution as a performer. After playing some of the most coveted roles like Eliza Doolittle in My Fair Lady and Laurey in Oklahoma!, Amara has since taken on roles like Stella in A Streetcar Named Desire and took on the lead role in Pulse at the King's Head Theatre. We hear her talk about her desire to keep exploring new characters that challenge her as she continues to evolve as a performer and as a person. She tells us about the mentor / muse relationship between Prospero and Ariel before also sharing her admiration for career role models she's worked with like Janie Dee and Elena Shaddow. Our conversations offers a candid look at the craft of an actress who refuses to be pigeonholed, offering a masterclass in staying authentic while stepping into the formidable weight of a theatrical legacy.

The Tempest runs at the Royal Shakespeare Theatre until 20 June.

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After leaving Canada for the UK, Arthur Boan has worked steadily through some of the most acclaimed production in recent years on stage. For our latest interview, Arthur Boan joined us to unpack how he tapped into Chief Bromdon in Clint Dyer’s electric revival of One Flew Over the Cuckoo’s Nest. We dive into the challenge of playing a silent giant where his most powerful lines are the ones he never actually says. We talk about Clint Dyer's reimagining of Dale Wasserman's play based on Ken Kesey's own classic novel and how they wanted to tackle themes like colonialism and abuse of power.

In an exciting new interview, Arthur Boan opens up about navigating the 360-degree exposure of performing in the round and what it’s like sharing the floor with powerhouses like Aaron Pierre, Giles Terera and Olivia Williams. Arthur also shares his insight into the responsibility of reimagining classic stories like One Flew Over the Cuckoo's Nest and Oklahoma. Indeed, he worked closely with director Daniel Fish on both the multi-award winning revival of Oklahoma and on a radical reimagining of Elektra starring Brie Larson. We hear him talk about the challenges of being an understudy as well now that he's playing in the main cast of a major new production, starring opposite top-tier actors in his own right. It’s a deep, honest look at a performer who is proving that in a world full of noise, the quietest person in the room can sometimes have the most to say.

One Flew Over the Cuckoo's Nest runs at Old Vic Theatre until 23rd May.