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Since her debut, West End rising star Gracie McGonigal has gone from strength to strength and is now in the centre of the world's attention on screen, with her milestone casting as Hazel in the fourth season of Netflix’s 'Bridgerton'. We hear her reflect on the significance of the role, noting the production's inclusive approach to disability. This television debut marks a pivotal shift in her career, offering a broader platform for her advocacy for authentic representation within the entertainment industry.
During our interview with Gracie McGonigal, we explored her theatrical roots, as she continues her run as Red Riding Hood in the Bridge Theatre’s acclaimed revival of Into the Woods. We also discussed her earlier work as Susanna Walcott in the National Theatre’s production of The Crucible and her relationship with director Lindsay Turner who she recently reunited with on The Little Foxes. Gracie reflected on the technical contrasts between the rigorous, repetitive nature of live theatre and the fast-paced, intuitive demands of a major television set. Throughout the interview, she emphasized that while she is an advocate for disabled performers, her primary goal remains the pursuit of complex, diverse roles that challenge traditional industry casting standards.
By Carlos Tseng5
22 ratings
Send us Fan Mail
Since her debut, West End rising star Gracie McGonigal has gone from strength to strength and is now in the centre of the world's attention on screen, with her milestone casting as Hazel in the fourth season of Netflix’s 'Bridgerton'. We hear her reflect on the significance of the role, noting the production's inclusive approach to disability. This television debut marks a pivotal shift in her career, offering a broader platform for her advocacy for authentic representation within the entertainment industry.
During our interview with Gracie McGonigal, we explored her theatrical roots, as she continues her run as Red Riding Hood in the Bridge Theatre’s acclaimed revival of Into the Woods. We also discussed her earlier work as Susanna Walcott in the National Theatre’s production of The Crucible and her relationship with director Lindsay Turner who she recently reunited with on The Little Foxes. Gracie reflected on the technical contrasts between the rigorous, repetitive nature of live theatre and the fast-paced, intuitive demands of a major television set. Throughout the interview, she emphasized that while she is an advocate for disabled performers, her primary goal remains the pursuit of complex, diverse roles that challenge traditional industry casting standards.

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