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Ahead of her highly anticipated return to the Kiln Theatre following her debut at the RSC’s The Other Place, the indomitable Ellen Thomas sat down with us to discuss her powerhouse role as Pearl in the world premiere of Martina Laird’s Driftwood. Ellen delves into the psychological weight and socio-political gravity of portraying a fierce matriarch running a downtown gentlemen’s club on the precipice of Trinidadian independence. We hear her reflect on the delicate art of unearthing fragments of vulnerability within Justin Audibert’s atmospheric direction. Our conversation explores her process of physical and linguistic discovery in the rehearsal room, unpacking how the specific cadences of 1950s Trinidadian English serve as vital tools of resistance, identity, and raw survival in a shifting world.
In this captivating new interview, Ellen Thomas offers an introspective look at a legendary career that masterfully bridges the worlds of television mechanics and rigorous stagecraft. We also revisit her recent, triumphant turn on the very same Kiln stage in Zadie Smith’s The Wife of Willesden, which also gave her an opportunity to showcase her ability to play strong, powerful and complex women. What follows is a warm and personal exploration of a powerful actress reflecting on her deep structural history with the Kiln, the changing landscape of British co-productions, and the enduring magic of theatre that dares to challenge who holds power.
Driftwood runs at Kiln Theatre from 4 June - 4 July.
By Carlos Tseng5
22 ratings
Send us Fan Mail
Ahead of her highly anticipated return to the Kiln Theatre following her debut at the RSC’s The Other Place, the indomitable Ellen Thomas sat down with us to discuss her powerhouse role as Pearl in the world premiere of Martina Laird’s Driftwood. Ellen delves into the psychological weight and socio-political gravity of portraying a fierce matriarch running a downtown gentlemen’s club on the precipice of Trinidadian independence. We hear her reflect on the delicate art of unearthing fragments of vulnerability within Justin Audibert’s atmospheric direction. Our conversation explores her process of physical and linguistic discovery in the rehearsal room, unpacking how the specific cadences of 1950s Trinidadian English serve as vital tools of resistance, identity, and raw survival in a shifting world.
In this captivating new interview, Ellen Thomas offers an introspective look at a legendary career that masterfully bridges the worlds of television mechanics and rigorous stagecraft. We also revisit her recent, triumphant turn on the very same Kiln stage in Zadie Smith’s The Wife of Willesden, which also gave her an opportunity to showcase her ability to play strong, powerful and complex women. What follows is a warm and personal exploration of a powerful actress reflecting on her deep structural history with the Kiln, the changing landscape of British co-productions, and the enduring magic of theatre that dares to challenge who holds power.
Driftwood runs at Kiln Theatre from 4 June - 4 July.

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