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In this new interview, we sat down with the luminous Dino Fetscher as he continues his run in Oh, Mary! in the West End. Following his Olivier-nominated turn as Felix Turner in the National Theatre’s devastating revival of The Normal Heart, Dino has returned to the stage in a role that is as chaotic as it is brilliant: playing Mary Todd Lincoln's Teacher in Cole Escola’s subversive smash hit. The show has been received heartily by critics and audiences alike, with laughter erupting from the Trafalgar Theatre every night. In the show, he stars opposite Mason Alexander Park as Mary Todd Lincoln and Giles Terera as Abraham Lincoln. 

In a heartfelt conversation with us, Dino Fetscher opened about his journey from breakout star in Cucumber and Banana to becoming one of the most visible openly gay actors of his generation. We hear him talk about the transformative experience of playing Felix Turner in The Normal Heart where he describes the characters and those lost in the AIDS epidemic as being like "ancestors" - all part of a chosen family of LGBTQ+ individuals. With LGBTQ stories slowly becoming more mainstream, Dino also tells us about the importance of using anger in the right way to encourage positive change for the community. It's a truly endearing conversation and we look forward to seeing Dino continue to thrive as an actor and advocate.

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Over the last few years, Oli Higginson has proved himself to be a real force on both stage and screen, starring in major revivals of The Last 5 Years, Measure For Measure and won the Ian Charleson Award for his Cassio in Othello. Now he returns to the world of musical theatre in the Almeida Theatre's revival of American Psycho the Musical, taking on the role of Timothy Price in what will be Rupert Goold's last directing outing at the theatre as Artistic Director. Duncan Sheik and Roberto Aguirre-Sacasa's adaptation of Bret Easton-Ellis' novel won huge acclaim during its 2012-13 run at the Almeida and is returning at a time that feels more relevant than ever.

In this brand new interview with Oli Higginson, he sits down to share his insights into a career that has taken him from Southwark Playhouse to the West End to the world of Bridgerton. In recent months, we have also seen the emergence of Modern Oli, a musician exploring themes of love, childhood and overcoming challenges. As an actor though, Oli remains committed to giving audiences memorable characters and exploring a range of shows - both classics and contemporary pieces. There's always a rich authenticity to his performances and it looks like he'll continue to be a strong presence on stage in the years to come. As American Psycho prepares to open, audiences can again look forward to his detailed and sensitive acting, but also gorgeous vocals that made him a star to watch out for in the musical theatre world.

American Psycho runs at the Almeida Theatre from 30 January - 14 March.

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In this episode, we sat down with the luminous Holly Godliman as she prepares to take the stage at the Old Vic in Tom Stoppard’s masterpiece, Arcadia. As the production approaches its February 4th opening, Holly delves into the "brilliant machinery" of Stoppard’s writing and her role as the spirited Chloë Coverly—the modern-day character who famously suggests that sex is the one force capable of upsetting Newton’s deterministic universe. From the technical rigors of mastering chaos theory dialogue to the unique energy of performing "in the round" under Carrie Cracknell’s direction, Holly offers a rare, intellectual glimpse into the rehearsal room of what is widely considered the greatest play of the late 20th century.

Beyond the gardens of Sidley Park, the conversation explores Holly’s meteoric rise following her "startlingly assured" professional debut in Doubt: A Parable. Carlos and Holly revisit the high-stakes atmosphere of that production in Bath, reflecting on the lessons she carried from acting alongside Maxine Peake into her current collaboration with friends like Isis Hainsworth. It is a warm, deeply personal exploration of an actress finding her footing on the world's most historic stages, balancing the disciplined curiosity of a researcher with the raw confidence of a natural-born performer.

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Over the last few years, Rosie Sheehy has established herself as a force to reckon with. Her latest role sees her making her Royal Court Theatre debut in Luke Norris' Guess How Much I Love You? The new play explores what it means to be in a long term relationship and the difficult choices that come with being in love. She'll be starring opposite Robert Aramayo and Lena Kaur, and we hear her talk affectionately about Luke's writing as well as Jeremy Herrin's masterful direction. Having previously performed at the Old Vic, the National Theatre and the RSC, we hear Rosie share her excitement at being at the Royal Court to debut what is expected to be a searing drama from Luke Norris.

In this brand new interview, Rosie Sheehy discusses with us how she balances the light and shade in all her roles and how it's been a joy to develop her character in Guess How Much I Love You? We talk about her Port Talbot roots and look back on some of her recent roles such as her Olivier Award nominated performance as the young woman in Machinal and her heartbreaking role as Julie in Gary Owen's Romeo and Julie. During our conversation, we also talk about Oleanna and her recent reunion with Harry Lighton on his acclaimed new film: Pillion. During our conversation, Rosie tells us how a lot of these dark stories are often still about love and how it can be presented in so many different forms. It's a fascinating conversation as she prepares to begin performances for her latest project which is expected to be another emotional ride.

Guess How Much I Love You? runs at the Royal Court Theatre from 16 January - 21 February.

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Ahead of the launch of the Welsh National Theatre, BAFTA Cymru award-winning actress Nia Roberts sat down with us for a wide-ranging conversation. Nia is widely recognised for her breakthrough in the Academy Award-nominated Solomon & Gaenor and for her haunting performances in Hidden and The Feast. In the inaugural production from Welsh National Theatre, she portrays Mrs. Webb in a brand new reimagining of Thornton Wilder’s Our Town. The staging features an all-Welsh cast and creative team for the first time in the play's history. It explores the universalities of life and community through a distinctly Celtic lens, rooted in the concept of Hiraeth.

In this brand new interview, Nia Roberts tells us about the importance of sharing Welsh stories. Conversations span from her early days with the National Youth Theatre of Wales to her recent acclaimed role in Tree on a Hill. Roberts offers critical insights into the necessity of a dedicated national stage and the preservation of Welsh-language narratives. The dialogue also addresses the technical demands of minimalist theatre and her outlook on the industry today. It concludes with a forward-looking analysis of the future for Welsh storytelling on the global stage.

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Louis Gaunt has solidified his reputation as one of the most charismatic and technically gifted triple-threat performers in the musical theatre today. After earning a Stage Debut Award for his breakout performance as Will Parker in Oklahoma!, he's earned further acclaim for his roles as Bert in Mary Poppins and more recently in the role of Tommy in Brigadoon. His latest role sees him returning to the Royal Exchange Theatre in Manchester to play Don Lockwood in a five star rated production of Singin in the Rain. The show also sees him reuniting with Danny Collins and Carly Mercedes Dyer who he worked with on Sweet Charity at Nottingham Playhouse. 

In this brand new interview with Louis Gaunt, we reflect on his recent successes as one of the industry's most exciting leading men. Here, Louis provides candid insights into the physical rigors of performing in Singin in the Rain —including the nightly challenge of performing the iconic title number under 14,000 litres of water—and the artistic responsibility of bringing the Golden Age of Hollywood to a modern audience. Since the production opened in Manchester, his performance has been hailed by critics and audiences as a masterclass in showmanship. We also talk about why this era of musical continues to resonate with audiences and what keeps drawing him to pieces like Brigadoon and Gypsy which demand so much him physically.

Singin in the Rain runs at Royal Exchange Theatre, Manchester until 25 January 2026.

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As Fred Woodley Evans prepares to return to the Jermyn Street Theatre for a high-stakes run in Lyle Kessler’s Orphans, he sat down with us to talk about this eagerly anticipated revival. A visceral drama exploring the raw edges of family and survival, this production marks a significant homecoming for Fred. After making waves in Outlying Islands at the start of 2025, his return is something audiences are very much looking forward to. Alongside Fred, he will be starring opposite Olivier Award winner Chris Walley and fellow Jermyn Street favourite Forbes Masson.

In this candid conversation, Fred reflects on the journey from his professional debut in Outlying Islands to the "Neverland magic" of his recent turn in Wendy and Peter Pan at the Barbican. We take a deep into his RADA days and his professional reunion with fellow actor Jonathan Rubin after graduating at Edinburgh Fringe. From the intensity of world-class training to the realities of navigating his first steps as a professional actor, this interview offers an insightful look into the rise of one of the most exciting young actors of his generation.

Orphans runs at Jermyn Street Theatre from 5 January - 24 January 2026 with tickets on sale now!

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As the RSC's Twelfth Night heads to the Barbican Theatre for a festive run, we are joined by veteran actor Norman Bowman. Known for seamlessly bridging the worlds of musicals and plays, Norman’s career has taken him from the West End to the Donmar Warehouse to the RSC. Hailing from Arbroath, his journey is one of continuous growth and reinvention, tackling everything from tap shoes to the complexities of Shakespearean verse. As he continues to play Antonio, he shares with us his experience working with actor / director / doctor Prassana Puwanarajah and also about welcoming in new actors such as Daniel Monks to the rehearsal room for the Barbican run.

In our interview with Norman Bowman, we discuss his return to the role of Antonio in the RSC's transfer of Twelfth Night to the Barbican. Having previously played Curio in a previous production, Norman tells us about his love for this show and the various characters within the world that Shakespeare has created. Having started off his career in musicals, we also talk about his recent turn as Archie in Regent's Park Open Air Theatre's landmark revival of Brigadoon. Throughout our conversation, Norman is humble about the longevity of his career which has taken him from the like of Les Miserables and Guys and Dolls to Twelfth Night which sees him reunite with Samuel West and Freema Agyeman following last year's acclaimed Stratford run.

Twelfth Night runs at Barbican Theatre until 17 January 2026

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Tom Glynn-Carney is one of the most dynamic and versatile actors working across stage and screen today. After earning an Evening Standard Award and Drama Desk Award for his role in The Ferryman, he has gone on to become a major figure in Westeros as Aegon II Targaryen in the acclaimed HBO series House of the Dragon. However, Glynn-Carney maintains a powerful connection to the theatre, having more recently won praise for his role in The Glass Menagerie opposite Amy Adams, sharing the role of Tom Wingfield with Paul Hilton . His latest stage venture sees him return to the London stage, joining a world-class ensemble for a major revival of Arthur Miller's All My Sons.

In this brand new interview with Tom Glynn-Carney, we discuss his pivotal and explosive role as George Deever in Ivo van Hove’s five-star rated production. Tom offers candid insights into collaborating with acting legends like Bryan Cranston and Marianne Jean-Baptiste, and the unique artistic challenge of bringing Miller’s devastating themes of war, morality, and the American Dream to life on the West End. Since the show opened, his performance has been hailed by critics as "stupendously well-acted" and vital to this "astonishing, deeply moving piece of theatre." 

All My Sons runs at Wyndham's Theatre until 7 March 2026 with tickets on sale NOW!

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Following her smash hit debut play Farm Hall, Katherine Moar is returning to Jermyn Street Theatre with her latest play: Ragdoll, based on the Patty Hearst trial. With just 4 actors, the play takes audiences to the centre of the celebrity, violence, and scandal of 1970s America. Focused on the power dynamics between "the heiress" and her lawyer Robert, the play also takes audiences to 2017 where Robert faces a trial of his own in the court of public opinion. We see stark parallels between events of today and that of the 1970s and Katherine Moar carefully crafts characters provide audiences with food for thought.

In this new interview, Katherine Moar talks to us about her experience of bringing her plays to the stage whilst also pursuing a PhD in History. We reflect on the success of Farm Hall  which transferred from Jermyn Street to a UK wide tour before playing in the West End. During our conversation, Katherine shares with us the challenges of being a new writer and shares her hopes that the theatre ecosystem would evolve to champion new writers into becoming established writers. It will be interesting to see if Ragdoll follows the same success as Farm Hall and we look forward to seeing more of Katherine's works being staged in the future.

Ragdoll runs at Jermyn Street Theatre until 15 November 2025.