Alex Vendler talks about shooting The Woman, an independent feature which made a splash at Sundance, and discusses getting the most out of a small budget as well as his creative collaboration with director Lucky McKee.

Mátyás Erdély, HSC discusses his Cannes-nominated film, Miss Bala, and his collaboration with director Gerardo Naranjo on its formal, restrained visual style in exploring Mexico's violent drug cartels.

Oliver Stapleton, BSC speaks with American Cinematographer's Jim Hemphill about Guillermo del Toro's production of Don't Be Afraid of the Dark, why he prefers to capture on film, working with first-time directors and planning for visual effects.

American Cinematographer's Iain Marcks goes on location to speak with Fred Murphy, ASC about lighting the television series The Good Wife, about becoming comfortable with digital capture and about what makes a good cinematographer.

Checco Varese, ASC, AMC talks with American Cinematographer's Jim Hemphill about filming Renny Harlin's 5 Days of War in the Georgian Republic, about working with the Georgian military to stage a massive military attack and his use of an early RED camera.

Chris Menges, ASC, BSC speaks with American Cinematographer's Jim Hemphill about Stephen Daldry's Extremely Loud & Incredibly Close and how he shot and lit the film to make it easier for first-time child actor Thomas Horn to focus on his performance.

American Cinematographer's Jean Oppenheimer hosts a wide-ranging discussion with Conrad W. Hall about the challenges and happy accidents of shooting OKA! in a remote pygmy village in Africa with limited equipment and using locals as actors and crew.

Amy Vincent, ASC, discusses how the film's dance sequences advance the story, how she collaborated with hair and makeup to create the “look” for actress Julianne Hough, and about her repeated collaborations with Craig Brewer.

In part two of this podcast, Michael Slovis, ASC discusses the process Breaking Bad employs to support its directors and provide a consistent feel to the series, as well as how it feels to work in this system.

Michael Slovis, ASC, talks with American Cinematographer's Iain Stasukevich about cast and crew on Breaking Bad work together to capture the New Mexican landscape with cinematic flair.