American Cinematographer contributor Iain Marcks speaks with cinematographers John Toll, ASC and Frank Griebe about the Wachowskis' ambitious feature Cloud Atlas.

Russell Carpenter, ASC and director Joshua Michael Stern about creating three distinct looks, on a tight budget, for each time period in this indie biopic about Apple founder Steve Jobs.

American Cinematographer's Iain Stasukevich speaks with cinematographer Norm Li, CSC, and director Panos Cosmatos about their collaboration on Beyond the Black Rainbow, a stylish low budget sci fi thriller, they discuss the films they turned to for inspiration as well as their decision to shoot 2-perf 35mm film instead of digital or other formats.

American Cinematographer's Jim Hemphill talks with Shane Hurlbut, ASC about Deadfall and his choice of mixing film capture with additional DSLR cameras, the effects of combining formats on workflow, and how he selects the best equipment for each film.

Claudio Miranda, ASC discusses his work on Ang Lee's Life of Pi, discussing the unique challenges of shooting digital 3D on this film — set mostly on the open ocean — and how they kept it visually engaging.

American Cinematographer contributor Iain Marcks talks with Peter Deming, ASC about playing with and against traditional horror cliches in the Joss Whedon-produced film, Cabin in the Woods, as well as working with directors Lynch, Raimi and Craven.

Director Mikael Salomon, ASC and cinematographer Ben Nott, ACS speak with American Cinematographer's Jim Hemphill about the A&E Miniseries Coma: how former cinematographer Salomon approaches directing, and how they got the most out of a tiny budget.

American Cinematographer's Jim Hemphill talks with director Bart Layton and cinematographer Erik Wilson about the art of creating dramatic, cinematic reenactments in the context of a documentary as well as having two different cinematographers on the film

Cinematographer Frank Barrera discusses his collaboration with actor and first-time director Patrick Wang to create a restrained and effective look for this Indie film, as well as their visual influences.

Sean Bobbitt, BSC discusses his work on director Steve McQueen's independent film Shame, covering the film's visual style and how trust on the set was essential with the film's difficult subject matter.