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This is a really special episode. Andres Gonzalez talks about American Origami, which not only happens to be an extraordinarily impactful and important project, but also the most dynamically designed photobook. . . maybe ever. Andres is thoughtful, passionate, and extremely talented. Prepare to be inspired and more than a little in awe.
Andres Gonzalez is an educator and visual artist whose current work engages with in-depth research to investigate relationships between ritual, memory, and place within the American social landscape. He has published two books, Some(W)Here in 2012 made over decade while living in Istanbul, and American Origami in 2019 which won the Light Work Photo Book Award, and was shortlisted for the Paris Photo - Aperture Book Awards.
He has received recognition from the Pulitzer Center, the Alexia Foundation, and is a Fulbright Fellow. His work has been exhibited at the San Francisco Museum of Modern Art, the Ogden Museum of Southern Art, the Stedelijk Museum in the Amsterdam, and the Museum of Contemporary Photography in Chicago, where he also collaborated with the Columbia College theater department and members from Tectonic Theater Project on a theatrical adaption of American Origami.
By Jennifer Yoffy4.9
2525 ratings
This is a really special episode. Andres Gonzalez talks about American Origami, which not only happens to be an extraordinarily impactful and important project, but also the most dynamically designed photobook. . . maybe ever. Andres is thoughtful, passionate, and extremely talented. Prepare to be inspired and more than a little in awe.
Andres Gonzalez is an educator and visual artist whose current work engages with in-depth research to investigate relationships between ritual, memory, and place within the American social landscape. He has published two books, Some(W)Here in 2012 made over decade while living in Istanbul, and American Origami in 2019 which won the Light Work Photo Book Award, and was shortlisted for the Paris Photo - Aperture Book Awards.
He has received recognition from the Pulitzer Center, the Alexia Foundation, and is a Fulbright Fellow. His work has been exhibited at the San Francisco Museum of Modern Art, the Ogden Museum of Southern Art, the Stedelijk Museum in the Amsterdam, and the Museum of Contemporary Photography in Chicago, where he also collaborated with the Columbia College theater department and members from Tectonic Theater Project on a theatrical adaption of American Origami.

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