Anglo-Saxon England

What is Old English poetry? How does it work? In this unlocked bonus episode I walk you through the ways that Anglo-Saxon poets created their work and how this distinctively English art form worked. For more of these cultural bonus episodes go to the shows Patreon page: https://www.patreon.com/anglosaxonengland

Credits – 

Music: 'Wælheall' by Hrōðmund Wōdening

https://www.youtube.com/watch?v=VQfdqIyqJ4g&list=LL&index=5&ab_channel=Hr%C5%8D%C3%B0mundW%C5%8Ddening

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Following Ine’s abdication in 726, the rest of the eighth century was a time of uncertainty for Wessex. It is a period that is not well served by the primary evidence, and we don’t really get detailed accounts of the kingdom’s history again until the rise of Ecgberht in 802. It is a period in which Wessex was often threatened by the ascendant power of Mercia to the north and by internal instability as new dynasties vied for the throne. I have called it the ‘dark’ eighth century and that is a deliberate play on the dual meanings of the word dark. Traditional historiography has tended to see this period as one of West Saxon decline sandwiched between the revolutionary reigns of Ine and Ecgberht, in that sense it could be seen as a dark age for Wessex, although as I will argue in this episode that traditional narrative is overly simplistic and underplays the achievements of the kings who ruled in these decades. The other meaning of dark is of course referring to something mysterious and that certainly describes these decades quite well. The kings and their undertakings are mysterious to us and that makes these decades into a puzzle that must be solved. I will attempt to do so here.

Credits – 

Music: 'Wælheall' by Hrōðmund Wōdening

https://www.youtube.com/watch?v=VQfdqIyqJ4g&list=LL&index=5&ab_channel=Hr%C5%8D%C3%B0mundW%C5%8Ddening

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This week, I conclude my look at the form of Christianity that came to be practiced in England across the Anglo-Saxon period. In this episode I look at beliefs about death, the afterlife, and the end of the world.

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In this episode I interview author and historical reenactor John Fletcher about his book 'The Western Kingdom: The Birth of Cornwall'. It's an accessible and fascinating history of Cornwall in the early middle ages and well worth picking up if you are at all interested in the history of south-western Britain or in Cornwall since it really dives into the political, cultural, and military history of the region.

Find John at: https://www.instagram.com/authorjohnfletcher/

Find the book: https://www.amazon.co.uk/Western-Kingdom-Birth-Cornwall/dp/1803990007

Credits – 

Music: 'Wælheall' by Hrōðmund Wōdening

https://www.youtube.com/watch?v=VQfdqIyqJ4g&list=LL&index=5&ab_channel=Hr%C5%8D%C3%B0mundW%C5%8Ddening

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This week, I begin a two part wrap up of our look at the major themes of Old English literature by looking at the form of Christianity that came to be practiced in England across the Anglo-Saxon period. This and the next episode are actually recordings of two chapters from my PhD thesis which aimed to provide an overview of the theology and practices of the Church in late tenth-century England, so it is specifically focused on that period, but places its insights into a larger context of the sources for these beliefs and practices.

https://www.patreon.com/posts/anglo-saxon-part-74136473?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator

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Of all the kings of Wessex prior to the reign of King Alfred, Ine is the one with probably the greatest reputation. This rests mostly on the respect afforded to his law code by King Alfred in the preface to his own collection of legal rulings. There Alfred explicitly set himself in a tradition following from Moses and Ine in making laws for his people. This is high praise and surely must attract the interest of readers. Who was this Ine? Why were his laws so notable? And does the reality live up the expectation set by Alfred’s praise? In this episode we will seek to answer these questions and discover that Ine’s legacy is decidedly more complicated that a surface reading of Alfred’s preface would suggest.

Credits – 

Music: 'Wælheall' by Hrōðmund Wōdening

https://www.youtube.com/watch?v=VQfdqIyqJ4g&list=LL&index=5&ab_channel=Hr%C5%8D%C3%B0mundW%C5%8Ddening

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Upon the abdication of Centwine in 685 the Gewisse were thrown into chaos. From the forests on their eastern frontier came news of an exiled noble massing an army to press his claim to the throne. He had already cut his teeth on the South Saxons by driving out their king and facing a revolt by his nobles, but now he was looking to return home to seize the opportunity of an empty throne. His name was Cædwalla and though he would reign for only three years, they would be some of the most transformative years in the history of Wessex. But that transformation would be a bloody one and would draw the people of the south west into the violent contest that was Anglo-Saxon power politics thereby remaking them and eventually England as a whole.

Credits – 

Music: 'Wælheall' by Hrōðmund Wōdening

https://www.youtube.com/watch?v=VQfdqIyqJ4g&list=LL&index=5&ab_channel=Hr%C5%8D%C3%B0mundW%C5%8Ddening

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The Anglo-Saxons prised wisdom. It permeated every aspect of their culture and they created an elaborate literature of wisdom meant to convey both profound truths and practical knowledge. In this bonus episode we take an overview of Old English wisdom literature; its characteristics and subjects, and we also talk a bit about gnomes.

Learn more at Patreon for $3 a month:

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The period between Cynegil’s baptism in 636 and the rise of Cædwalla in 685 is one in which the political history of the Gewisse becomes extremely complicated. This is because the political structure of the Gewisse that had developed by this time was one in which any male heir of Cerdic was entitled to claim the throne. Thus while the Anglo-Saxon Chronicle is committed to presenting a unified dynasty linking King Alfred to Cerdic, it cannot totally hide the fact that the political situation among the Gewisse was extremely fraught, particularly on occasions when internal power politics spilled over into the realm of international relations.

Credits – 

Music: 'Wælheall' by Hrōðmund Wōdening

https://www.youtube.com/watch?v=VQfdqIyqJ4g&list=LL&index=5&ab_channel=Hr%C5%8D%C3%B0mundW%C5%8Ddening

Social Media - 

Patreon: https://www.patreon.com/anglosaxonengland

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YouTube: https://www.youtube.com/channel/UCzyGUvYZCstptNQeWTwfQuA 

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'Heroic’ isn’t a term the Anglo-Saxons used, rather it refers to a general type of poetry dealing with heroes, men who live by a code and put their lives at risk upholding said code while performing marvellous deeds. The heroic ethos in Old English literature is not just one thig, rather it’s a collection of related ideas and tendencies that together form a tapestry we call ‘heroism’. In this episode I want to look at the two main streams of heroism that we find in scholarship, namely secular heroism and Christian heroism.

Hear the full episode: https://www.patreon.com/posts/old-english-72294461?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator

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