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Three months have passed since my trip to Holland, but I'm still slightly foggy from – let's be honest – being overdosed. When I tell people that I stayed in Amsterdam, they knowingly smile and then, with a wink ask, "Did you try the stuff?" You bet I did. That's what I went to Holland for...and there was plenty of it. Rembrandt! Frans Hals!! Vermeer!!! And not only in Amsterdam, in the stately Rijksmuseum, but in the Mauritshuis Museum in The Hague and the Frans Hals Museum in Haarlem as well...
When I met Michael and Gabrielle Boyd for the first time at a museum function a few months ago, I knew immediately who they were, thanks to a recently published article about their collection in the LA Times magazine and a profile on them in Vanity Fair. They live in Santa Monica Canyon, in a house built by the famous Brazilian architect Oscar Niemeyer -- the only structure he has ever built in the United States...
Now that the Getty Museum has wisely chosen to undertake the painful but inevitable step of placating the Italian authorities by sending back to Italy forty antiquities from the museum's collection, it's a good time to reflect on this controversy and try to make sense of it all. I couldn't agree more with the editorial page of the Los Angeles Times (August 6, 2007) stating that "Legally, the return of the artworks is the right thing to do...International treaties left Getty executives with little choice. Whether it's fair is another matter."
One of the best kept secrets of LA's downtown art scene is REDCAT, a
When it comes to the official monuments decorating city squares in
On any given day, Los Angeles teems with well-toned, fresh-faced
Until I found in my mailbox the eye-catching catalog of Mary Heilmann's exhibition at the Orange County Museum of Art, I had never heard of her. The handsomely printed hardcover book, with its elegant layout and numerous color
Last month, I traveled through about a dozen European cities in just three weeks; it was all art, all the time, but don't feel sorry for me, it was not exactly heavy lifting. The invitation to visit Holland came from two Dutch organizations: the Mondriaan Foundation and the Service Centre for International Cultural
Intrigued by an artwork that is new to me, I like to get very close and examine its texture. It's not unlike having a handshake with a new acquaintance that hopefully confirms a first, favorable impression. A couple of months ago, at the Seattle Art Museum, when I saw for the first time a large, colorful wall hanging by Nigerian artist El Anatsui, I mistook it for a traditional African textile...
From the publisher's feed
Art reviews from art critics Edward Goldman and Hunter Drohojowska-Philp.

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