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Stop polishing your first paragraph into oblivion. In this episode of Master Fiction Writing, we split your process into two clean modes: Author Brain for discovery and Editor Brain for decision—used at different times for different jobs. You’ll hear a live “before/after” paragraph where we draft messy, then run a tight verbs-and-cuts pass that sharpens pace and tension without killing momentum. We’ll also set up a simple 30-minute loop you can run twice to produce real pages today.
You’ll learn:
The core jobs of Author Brain (invent) vs. Editor Brain (select)
Why separating them in time stops stalls and unlocks flow
The TK tactic and “Again:” restart to keep drafting forward
How a verbs-and-cuts pass lifts energy, clarity, and pace fast
The one-line scene change test to confirm forward motion
By Stuart Wakefield4.6
2121 ratings
Stop polishing your first paragraph into oblivion. In this episode of Master Fiction Writing, we split your process into two clean modes: Author Brain for discovery and Editor Brain for decision—used at different times for different jobs. You’ll hear a live “before/after” paragraph where we draft messy, then run a tight verbs-and-cuts pass that sharpens pace and tension without killing momentum. We’ll also set up a simple 30-minute loop you can run twice to produce real pages today.
You’ll learn:
The core jobs of Author Brain (invent) vs. Editor Brain (select)
Why separating them in time stops stalls and unlocks flow
The TK tactic and “Again:” restart to keep drafting forward
How a verbs-and-cuts pass lifts energy, clarity, and pace fast
The one-line scene change test to confirm forward motion

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