Basic Folk

Basic Folk

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Basic Folk episodes

  • Dom Flemons., ep. 213

    Dr. Dom Flemons comes off as older than his 40 years and I think it's because he seems like he is of a different era. This is thanks in part to his work in teaching and interpreting such old songs, such as his work with the Carolina Chocolate Drops that he was in alongside Rhiannon Giddens and Justin Robinson. Originally from Phoenix, Dom is considered an expert player on the banjo, guitar, harmonica, jug, percussion, quills, fife and rhythm bones. When he was 18 years old, he saw Dave Van Ronk in concert and was completely taken with the way Van Ronk told the stories and history behind the old songs he was playing in concert. From then on, Dom also would give the background of the songs he performed in concert, leading to much intense research for songs and their backstories.

    On his latest album Traveling Wildfire, he began work on the album during the pandemic. He wanted “to figure out a way to give the listener a way to process the world around them without being too didactic.” The record is filled with Dom's most personal songs about his family, history and, of course, interpretations of very old songs. We talk about all this and his strong outfit game, which, I'm sure, no one is surprised by. 

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    1 hr 4 min
  • Libby Rodenbough, ep. 212

    Libby Rodenbough’s second solo record sees the fiddler and songwriter further stretching from the bluegrass/old time style of her band Mipso. Born in Greensboro, SC, music was just another activity that Libby did along with soccer and going to girl scouts. She played violin in her school’s orchestra and thought she’d be a music major, until a college professor let her know that her playing was not up to par with those who studied classical music at a collegial level. She found herself at local bluegrass jam sessions and meeting her future Mipso band members, which led to her discover that music could be a creative outlet and a means of expression.

    On the new record, Libby is processing and coping with the death of her mother, who was diagnosed with an incurable cancer and died about 5 months before she began recording the album. Created amongst North Carolina musicians, she found herself nestled in a group of people who were also dealing with loss of and serious illness of loved ones. This gave the sessions a heavy and contemplative feel, but it was also comforting to be around friends who felt the existence and love of those who were no longer alive in the room. Libby is open, honest and real. We get into lady-things and cat-things. Hope you enjoy Libby! Her new album is wonderful.

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    1 hr
  • David Wax Track by Track, ep. 211

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    1 hr 12 min
  • Alice Howe & Freebo, ep. 210

    Tracking with her brand: “an old soul inside a 30-something millennial,” Alice Howe‘s latest was recorded at FAME Studios in Muscle Shoals, AL. Although the legendary studio has seen massive icons like Aretha Franklin, Wilson Pickett and Etta James recording their biggest hits, the building itself is quite unremarkable. Regardless, Alice was able to soak up the incredible vibe that ugly wood-paneled space offers over the course of the recording sessions, which was done in two parts. Freebo, her frequent collaborator and bassist, helmed the production and joined us for this interview. The two gave some insight into the way they communicate and how that works itself out in a studio setting.

    We dig into some of the songs on the new record Circumstance, including “What About You,” which comes along with a music video featuring some very playful sides of Alice, including some very femme scenes of her at the pool and on the beach. We got into an interesting discussion of different ways women portray themselves in music, using Bonnie Raitt and Linda Rondstadt prototypes. Not sure if we reached a consensus, but I enjoyed getting into it! We also get into how Freebo is a goofball AND a cool-guy scholar and how those traits translate into his and into Alice’s music. And we leave some space for Alice and Freebo to fawn all over Freebo’s former collaborator, Bonnie Raitt, and her recent song of the year award at the 2023 Grammys. It’s always so fun to talk to Alice (who was also on episode 72!) and we have a doubly good time with Freebo. Enjoy!

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    1 hr
  • The Tallest Man on Earth, ep. 209

    Kristian Matson grew up in the Swedish countryside and came to be The Tallest Man on Earth in the country's diverse and low-key music scene. He often speaks of his weird little brain and a wild imagination, which actually stems from a heap of anxiety that he lives with everyday. Growing up, he struggled to tamp down his high-energy, especially in a culture that encouraged everyone to not stand out or draw attention to themselves. When he discovered the guitar, it felt like he found a vessel to harness all his energy, creativity and imagination. As a teenager, he found solace in the music of Bob Dylan, which led him to discovering other American folk artists like Woody Guthrie and Pete Seeger. His world opened up when he found guitarists that used open tunings like Skip James and Nick Drake.

    His new album Henry St., was written and created in the aftermath of the pandemic. Kristian struggled with writing in forced solitude and found himself focusing too much on darkness. His inspiration returned when he finally got back on tour, where he began writing non-stop due to being back in motion and around other people. Human connection fueled the new album, which was produced by Nick Sanborn of Sylvan Esso in North Carolina. The two musicians' similarities create a beautiful chemistry on the new record, which is the first complete band album recorded by Tallest Man on Earth.

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    57 min
  • William Prince, ep. 208

    William Prince spent a long time recording his debut album. By the time ‘Earthly Days’ was released in 2015, Prince had lived a lot of life and was ready for the sort of instant stardom that would throw a lot of emerging singer-songwriters for a loop. A number of extraordinary things happened followed the release of ‘Earthly Days:’ the song “Breathless” was a hit on the Billboard adult contemporary music charts, Prince won the Juno Award for Contemporary Roots Album of the Year, and Prince toured the hell out of the record for several years, opening for artists like Neil Young. This extended tour gave him the opportunity to basically perfect his live set in a way many new artists don’t get to.

    William has gone deeper and deeper and deeper with subsequent releases. He describes love and loss and self and community and fear and courage with universal appeal on 2020’s ‘Reliever.’ He reinterprets the orthodoxy and aesthetics of his Christian upbringing through an indigenous lens on ‘Gospel First Nation.’ He synthesizes varied traditions and flexes impressive vocal chops almost casually.

    William’s new record, ‘Stand In The Joy,’ comes out April 14th on Six Shooter Records, and it is a catchy, ambitious testimony about the power of love and hope. Talking about the album with William gave me the chance to ask him about his evolving spirituality, the tension between tradition and trendiness in roots music, how the loves of his life change how he shows up as a performer, what it’s like to work with superstar producer Dave Cobb, and what freedom looks like from a Peguis first nations perspective.


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    1 hr 14 min
  • Kimaya Diggs, ep. 207

    Multi-instrumentalist, songwriter, librettist, teacher, and dog lady Kimaya Diggs grew up surrounded by music. In her family music was a tool for connection. Kimaya’s 2018 debut album, ‘Breastfed,’ puts together the story of her upbringing through dreamy soul-folk jams. Even though she had been a musician all her life, she experienced a steep learning curve when it came to recording in the studio. She quickly figured out how the complex processes of mixing and mastering can impact how an audience receives your music, AND how frustrating it can be to play guitar to a click track.

    These lessons learned left Kimaya excited to get to work on her second album. In the meantime she had adopted a traumatized racing greyhound, and tragically lost her mom to breast cancer. There was so much love and loss to process, and Kimaya was figuring out how to share these precious pieces of her life while still honoring her mom’s privacy and her own healing journey. You might think that as a result, the album would comprise 45 minutes of whispered meditations on the great beyond. But ‘Quincy’ is an album bursting with joy and exuberant grooves.

    Kimaya’s husband, Jacob, plays in her band and contributed music for this new album. One of the most interesting parts of our conversation was when Kimaya shared how she manages to keep both her marriage and her creative partnership healthy at the same time. Here’s a hint: the secret has to do with co-writing.

    Follow Basic Folk on social media: https://basicfolk.bio.link/

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    Help produce Basic Folk by contributing: https://basicfolk.com/donate/



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    1 hr 2 min
  • Brett Dennen, ep. 206

    Brett Dennen is a songwriter, painter and summer camp enthusiast. His camp experience was instrumental in developing his musicality. He attended Camp Jack Hazard in the Sierra Nevada Mountains where young Brett was enamored with the music his camp counselors would play on guitar around the campfire. He was introduced to Paul Simon, Neil Young, Joni Mitchell and John Denver thanks to his counselors and his parents. He really developed as a songwriter in college at UC Santa Cruz. After school, he wove himself into the LA songwriter scene, which in the early 2000’s was a haven for musicians like himself, Alexi Murdoch, Damien Rice and Josh Ritter. He developed a large fanbase that remains loyal to this day.

    Brett talks about running his own summer camp, Camp Dennen, which allows him to create community through nature and art. He shares his experience of writing and thinking about being a dad and how that relates to the reality of fatherhood. And he talks about decidedly not being in the cool crowd and also not caring about it… well not caring about it as much as he used to. Brett’s written some of my favorite songs of the 21st century. It was an honor to have him on the pod!

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    56 min
  • Sara Watkins of Nickel Creek, ep. 205

    Nickel Creek, the bluegrass trio who's been in existence for almost 35 years, returns with their first original release in nine years. It's brainy, it's theatrical, its twists and turns are not predictable from its authors, who have entered mid-life. To that point, there is lots of middle on this album. The middle's not the most exciting or thrilling part (see: beginning or ending), but there is plenty happening and plenty to celebrate. The band says that's the feeling they want to convey through the record. Lucky us, we get to crawl into the band's history and approach to the new music via folk fashion icon, Sara Watkins.

    Despite the focus on the middle, Sara gets into the beginning of her musical experience, talking of her practicing habits, musical summer camp, and being friends with 70 year old bluegrass players at the local pizza parlor. She also talks about her vocal prowess, particularly on "Where The Long Line Leads," where she blazes; singing on the very edge of her voice and it's so exciting. Of course we talk about her history of stage outfits, from mid-length skirts to fashionable jumpsuits, she's done a lot of fashion in the folk world over the course of her career. Sara Watkins is a dream: From Nickel Creek, to I'm With Her and The Watkins Family Hour! Enjoy this wonderful person! Go get that Nickel Creek record - holy cow!

    Follow Basic Folk on social media: https://basicfolk.bio.link/

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    Help produce Basic Folk by contributing: https://basicfolk.com/donate/



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    53 min
  • Adeem the Artist, ep. 204

    Adeem the Artist has gained a slew of new fans in the past year with their new album, ‘White Trash Revelry,’ but they are anything but an overnight success. Their journey to singer-songwriter acclaim began in middle school, when they moved from the Carolinas to New York State. Finding themself a southerner in the north, they found out that being from the American south meant something to people. It came with a certain set of assumptions and expectations that they have reckoned with over the course of their eight albums.

    2022’s ‘White Trash Revelry’ is packed with poignant, witty, economical lyrics and characters so real you could reach out and shake their hands. Throughout the album you’ll notice a complicated relationship with religion, which of course we had to dig into on the podcast. In a past life Adeem was called strongly to the church, and served as a worship leader. You might be surprised at how highly transferable their pastoral skill set has been in their work as a singer-songwriter.

    This episode contains many, many, many laughs, some guitar talk, some crowdfunding talk, some deep family and spiritual talk, and a million great insights from one of alt-country music’s rising stars.

    Follow Basic Folk on social media: https://basicfolk.bio.link/

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    Help produce Basic Folk by contributing: https://basicfolk.com/donate/



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    56 min

About Basic Folk

From the publisher's feed

Basic Folk features honest conversations with folk musicians hosted by Cindy Howes and Lizzie No. We approach interviews with warmth, humor and…

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