Basic Folk

Basic Folk

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Basic Folk episodes

  • Stella Schindler of Kentucky Avenue, ep. 92

    Stella Schindler is one half of the DC area Americana band Kentucky Avenue, who's been (safely) working on their sophomore album throughout the pandemic. Stella, an English teacher at an all-girls Catholic School, has led a transient path throughout her life, but music was always constant. She lived in a number of different places growing up; not living anywhere for more than two years and it wasn't until she started teaching that she remained in one place (DC). Because of all the moving around, she initially felt pretty shy about singing in front of her family. She tells a story about how her mom was surprised when she first heard her perform publicly. Despite that, she is actually really connected to her family, particularly with her name. She's the fourth Stella in a row and talked about that connection and what it was like growing up having the name "Stella."

    Stella speaks beautifully about the freedom and delight she felt what she first sang out loud. She is a joyful performer who makes the most eye contact I've ever seen from someone on stage. She is also a devoted Catholic, who loves folk and country, but does enjoy that separation of Church and State when it comes to music during the Mass. Her dad is a theologian and philosopher who encouraged Stella to follow her passions. He told her when she was thinking about college “You can study anything but with one condition, provided that it is not useful.” She followed his advice and majored in Art History at Notre Dame. After college, she found herself in Omaha, Nebraska, moving there on a whim and working at a record store. This is where she had a chance encounter with Bob Dylan! This was also right before she relocated to DC to start a teaching job. Stella is an amazing person and I love listening to her talk and love hearing her sing. Enjoy! Also enjoy the thunderstorm rolling on in the background of this interview. Lookout for Kentucky Avenue's new album, Ballad of the Past, this fall.



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    1 hr 25 min
  • Samantha Crain, ep. 91

    Samantha Crain had a hell of a time in the summer of 2017. She had just released her album You Had Me at Goodbye earlier in the year and was ready to roll out for a busy schedule of touring the new music. By the end of the summer, she was laid up after experiencing three car accidents, where she was hit all three times. A combination of those crashes and life-long tendonitis and carpal tunnel syndrome led to her hands literally not working. She was not able to play guitar or tour. A major depression and a very dark time set in from being homebound and not able to play guitar or write songs. Through physical and emotional therapy, she slowly started to heal. She also took this time to document some past trauma by recording herself talking on a tape player. This led to a lot of self-reflection and shedding of old life-long anxieties. When she was well enough, she began to write songs based on what she had been documenting and processing. This resulted in her new album, A Small Death.

     

    We talked about the new album as well as Samantha's very interesting life. A member of the Choctaw First Nation, she values using her native language to modernize the indigenous experience for herself and other young native people. We talk about her dad, a Southern Baptist Evangelical Preacher, who would perform music as well as feats of strength at religious tent revivals. She also shared a little about her experience as a weight lifter. Samantha Crain is one of a kind! I wish her the best in her healing journey and with the new album.



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    53 min
  • Izzy Heltai's “Father” Track by Track, ep. 90

    We got to know Izzy Heltai on episode 27 of Basic Folk where he talked about his supportive family, Western Mass community and for the first time spoke in an interview about being a trans man. He's released his debut album, Father, and is kind enough to return to the podcast to give us a track by track breakdown of the record. Izzy's new album centers around songs he wrote from ages 19 - 23, where he spent a lot of time on the road, so there are plenty of road themes. The opening track is the only song to directly address his experience as a trans person. He is still trying to figure out how to talk about himself without wrapping his entire identity in being trans, but it is an important part of his writing.

    Izzy is really easy to talk to and is very open about his life-long struggle with depression. His joyful personality and positive energy wouldn't make you think he would have to deal with such frequent sadness, but he talks about how writing and honestly addressing it allows him to channel it through music. I take Izzy down some weird winding theories on this record and he does really well to answer all my ridiculous questions. Enjoy the conversation and then go buy Izzy's new album!



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    52 min
  • Brittney Spencer, ep. 89
    Brittney Spencer's making her way in Nashville. Her presence in Music City is radical not only because she's a woman, but also Brittany is a young Black country artist. Spencer has been enamored with country music ever since she fell in love with The Chicks as a 15 year old. Even though she did not see people that look like her represented in country music, she connected with the sound enough to realize that she needed to be a part of it with her own music. Originally from Baltimore, Brittney grew up with strong roots in the church and credits that experience as the basis for her musical foundation. In Nashville, she joined the Christian songwriting collective Common Hymnal. Through their supportive network, she's been able to write songs that give an authentic depiction of human struggle.
    In the pod, we discuss the disenchantment that a lot of people feel towards Christian music. I am very stumbly when I broach this subject, but I was relieved when she understood where I was coming from. Certain Christian music and thinking about the genre as a whole can make people feel uncomfortable. Brittney aims to be a country artist that happens to make songs that are Christian. She also is consciously working on how to make her music something that the Black community would like and she shares how she works the Black experience into country music. Aaaaand she used to be a radio DJ at the local NPR Music station, so THAT'S AWESOME.

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    51 min
  • Ellis Paul, ep. 86

    Ellis Paul! The one and only. This has been a long time coming. The Maine-born musician is famous for helping establish the “Boston Songwriter Sound” in the late 80’s, 90’s and 2000’s. He grew up on a potato farm and became a national track star, which earned him a scholarship to Boston University. Ellis started learning and playing guitar after an injury sidelined him. He began seeking out open mics in the city and came across Club Passim in Harvard Square, Cambridge, where he now holds the record of the most shows played there ever. We talk about the early days, playing over 200 shows a year, Woody Guthrie, living with Dupuytren Syndrome and how that has affected his playing.

    He’s been a favorite of mine for a long time and it was great to be able to prepared for this interview and listen to all his songs again, including his latest album The Storyteller’s Suitcase.  We talk about a couple of standouts on that album including a song where he explains the afterlife to his 5 year old daughter. Oof. Ellis Paul! Thanks for listening!



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    1 hr 8 min
  • Jamie Fox, ep. 85
    A special episode of Basic Folk features First Nation person Jamie Fox, who is one of the only people in America playing a style of fiddle called "Métis" of the Aaniih and Nakoda tribes in Montana. Métis means "mix race" and essentially it means that Jamie has native and European heritage. She grew up on a reservation in Montana being able to celebrate both sides of her heritage. Jamie explains how the Métis developed their own culture and how that fit into music specifically the fiddle. She and her brother learned at the feet of a local legend, Fatty Morin, who would make them practice tapes that explained the importance of the music.
    This is truly a special episode of the podcast because of Jamie's mission to preserve her style of playing and also the insights she offers in her background. Previously, she has traveled around to camps and festivals teaching the music of the Métis. Jamie doesn't have recorded music out there, so she's not here promoting anything. This is really an opportunity to learn something new about her culture. I'm so honored that she is on Basic Folk today!

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    48 min
  • Laura Cortese, ep. 84

    Laura Cortese is on her way to legendary status in the fiddle community. Born in San Francisco, she has has worked for years honing her sound: bringing together traditions learned at fiddle camp, a love of songwriting and experimental lush indie soundscapes. She has performed under Laura Cortese and the Dance Cards for the past two albums and with her new release Biter Better, the imagined LC + The DCs sound has been achieved.

    In our conversation, Laura takes us back to growing up with divorced parents, discovering a love of creating music through community, melding all her musical interests, her iconic self-drive that has achieved so much and FASHION. Obviously.  Also life after trauma and living in Belgium with her musician partner while expecting their first baby.


    American Songwriter Podcast Network



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    1 hr 12 min

About Basic Folk

From the publisher's feed

Basic Folk features honest conversations with folk musicians hosted by Cindy Howes and Lizzie No. We approach interviews with warmth, humor and…

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