“The Princess”, currently streaming on Hulu, is basically an extended fight sequence: Joey King, the titular heroine, can only escape her prison tower by battling through an army of mercenaries. Now imagine filming those scenes — out of order — over a period of 12 weeks, and you have an inkling of the challenge faced by the Hair and Makeup Designer Lynda Armstrong. Lynda speaks with me about the pleasure of working with Joey and the difficulty of getting hair products delivered from London to Bulgaria in a timely fashion (thanks, Brexit).

Pair Oscar-winning makeup effects artist Howard Berger with veteran film journalist Marshall Julius, and what's the result? A globe-spanning selection of makeup artists sharing the secrets of their craft. Both Howard and Marshall are here this week to discuss “Masters of Make-Up Effects”, a new compendium that will soon be on the bookshelf of every film buff you know. Learn more about the book and upcoming signings at mastersofmakeupeffects.net. 

Baz Luhrmann’s “Elvis”, like all of his films, is an audacious fusion of sight and sound, and Wayne Pashley, the owner/co-founder of Big Bang Sound Design, has been working with Baz for more than 30 years. Credited as the re-recording mixer, sound designer and supervising sound editor on “Elvis”, Wayne is uniquely qualified to talk about the “sonic glue” that helps hold the whole construct together. 

“The Unbearable Weight of Massive Talent” is a Nicolas Cage film that’s basically . . . a riff on Nic Cage. Principal photography took place in Hungary and Croatia, but two weeks of LA reshoots gave Property Master Mikey Trudel a chance to work his craft closer to home. Adhesive finger tape that delivers a knock-out chemical? Yeah, that’s a complicated prop.

HBO Max’s “Our Flag Means Death” is 10 episodes of comedy that manages to be both thoughtful and absurd, delivered by an all-star cast and a rotation of hilarious guest stars. 1st Assistant Director Emily Hogan returns to the show to talk about wrangling this ensemble through a series of unexpected adventures, including the Mystery of the Disappearing Beach and The Boat They Built on Stage.

"Marcel the Shell with Shoes On" is an unexpected pleasure: amusing, poignant, and heartwarming in equal measures. It’s also a major technical achievement, and Production Designer Liz Toonkel talks about the challenge of creating the whimsical world of Marcel and his shell community within the limitations of a reality where the principle character is 1-inch tall.

For the second half of our look at Ridley Scott’s “Black Hawk Down”, Harry Humpries (Senior Military Advisor) and Kimberley Ann Berdy (LA Production Coordinator) dive deep into the challenges of filming those epic battle scenes in Morocco. Plus, Kim joined the crew in country for what sounds like a pretty epic wrap party. 

Season 13 starts off with a look at “Black Hawk Down”, Ridley Scott’s 2001 epic war film. My guests are Senior Military Advisor Harry Humpries and LA Production Coordinator Kimberley Ann Berdy, and the first half of our two-part discussion focuses on pre-production: sending the actors to military training camp, purchasing helicopters that production could actually destroy, and getting everything to Morocco in time for filming to begin.

“The First Lady”, now finishing its inaugural season on Showtime, takes the audience behind the scenes through a century of Presidential history. Makeup Department Head Carol Rasheed talks about designing First Lady looks that typify each historical period while remaining timeless. Oh, and we also talk about Barack Obama’s ears. 

“Roar” is a show with something to say, and Production Designer Todd Fjelsted talks about reinforcing that message through all eight episodes of this Apple TV+ anthology series. Budget and schedule always complicate production efforts where anthologies are concerned but — as Todd explains — this project also offered a degree of freedom that’s unusual in the Industry.