“The Walking Dead” will wrap it’s 11-season run on AMC later this year. The series is filmed just outside Atlanta, and my guests today — Best Boy Grip Frankie Zamora and Grip Nicole Higgins — talk about their work on Season 10 of the show. Do Grips on Walking Dead work much harder than the Electric Department? Listen and decide for yourself.

Taylor Sheridan’s “1883”, currently available on Paramount+, is a prequel to the hugely successful “Yellowstone” series (four seasons of which are exclusively available on NBC’s Peacock streaming service). My guest today is the Lead Editor, Chad Galster, who shares stories about how his long relationship with Taylor informs his work on this standalone, attention-getting series.

2021’s “Ghostbusters: Afterlife” is both a continuation of and an homage to the original Ghostbusters story. Not only can fans see the tribute on the screen, they can hear it in the soundscape. Today I’m joined by Production Sound Mixer Steve Morrow, Supervising Sound Editor Perry Robertson, and Re-recording Mixer/Supervising Sound Editor Will Files to explore how the iconic sounds of the original are an integral aspect of the new film.

“The Gilded Age”, which recently concluded its first season on HBO Max, explores the various social forces at play in the New York City of 1882. The theme of old money vs new money is reflected in the sets themselves, and Set Decorator Regina Graves joins me to discuss the challenges and rewards of bringing this period drama to life.

Welcome to Season 12 of the podcast! We’re kicking it off with a look back at this year’s Oscars ceremony, specifically the Academy’s decision to prerecord eight of the 23 awards during the hour preceding the live broadcast, and then air edited segments during the ceremony itself. Set Decorator Rena DeAngelo (nominated this year for her work on West Side Story) tells us what happened during that hour of pre-show taping, and Writer/Director/Editor Christopher Angel (who last joined us to discuss this year’s nominees for Film Editing) analyzes how those early acceptance speeches were censored for the telecast.

It’s been 10 episodes of film industry professionals sharing the benefits of their expertise, and we’re concluding our Oscar series with an in-depth look at the nominees for Cinematography. My guests — Patrick Cady and Shawn Peters — are directors of photography with stories to share. Enjoy the Academy Awards this weekend! I hope our insights have prepared you for the ceremony. (Episode 10 of 10).

The Academy Awards are less than a week away, and we’ve got two episodes to go. Today, we’re discussing the Oscar nominees for Visual Effects. Industry veterans Kent Seki and Chris Batty bring their expertise for a wide-ranging and animated discussion. (Episode 9 of 10)

Music is back! Week Four of our Oscars coverage concludes with an enlightening conversation about Original Score. My returning guests - Louis Weeks, Chris Molanphy, and Mick Coogan - once again offer insights about this year’s nominees that will most definitely wow you.  (Episode 8 of 10)

Are you following the series? Week Four of our Oscars coverage kicks off with a review of the nominees for Film Editing. My guests - Christopher Angel and Amy Duddleston - are editors with a wealth of experience to share when discussing this year’s Academy Awards nominees.  (Episode 7 of 10)

Week Three concludes with a discussion of the Oscar nominees for Makeup and Hairstyling. My guests — Angela Nogaro (Makeup) and Yvonne Depatis-Kupka (Hairstyling) — have opinions. I think you’ll enjoy them. (Episode 6 of 10)